tag:blogger.com,1999:blog-51848490080299821232024-03-13T12:41:59.381-07:00PandemoniaArtist / DesignerAnonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comBlogger209125tag:blogger.com,1999:blog-5184849008029982123.post-51734850249351261792018-05-11T09:48:00.002-07:002018-05-11T09:50:07.042-07:00Accessible Art Fair Interview<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-87198212110387788112018-05-11T09:20:00.000-07:002018-05-11T15:23:53.020-07:00Instergram Art<div class="separator" style="clear: both; text-align: center;">
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<br />Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-4913510054788477832018-05-11T07:33:00.001-07:002018-05-11T07:44:55.211-07:00Street PhotographyEdition Pandemonia Prints. <BR><BR>
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Balloon Saloon. 71.12 by 57.15 cm <br><br>
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Big Yellow Taxi. 81.28 by 57.15 cm <br><br>
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Freedom & Democracy. 55.88 by 57.15 cm <br><br>
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NYC Confidential. 50.11 by 57.15 cm <br><br>
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Pandemonia on Broadway. 55.88 by 69.58 cm <br><br>
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Street Trash 2015. 77.04 by 57.15 cm <br><br>
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Super Duper. 87.83 by 57.15 cm <br><br>
<small> Pandemonia collaborating with Simon Cave </small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-70260173690866834342017-02-24T08:58:00.000-08:002017-02-25T08:59:17.887-08:00Pagina 12: látex viste a la modaArgentine article Pagina 12: 24th February 2017<br><br>
Origional article: <a href="https://www.pagina12.com.ar/21970-el-latex-viste-a-la-moda" target="_blank">Pagina 12 </a>látex viste a la moda.<BR><BR>
Google translate version: <a href="http://translate.google.com/translate?hl=en&sl=auto&tl=en&u=https://www.pagina12.com.ar/21970-el-latex-viste-a-la-moda" target="_blank">in English</a><BR><BR>
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<Big><B>El látex viste a la moda </B></big><br><br>
<small>Por Ignacio D’Amore</small><br><br>
Parte muñeca humana, parte performer, parte objeto de culto, Pandemonia es hoy figura esencial de las escenas fashion y del arte británicos de los últimos años. Desde la noche hasta las revistas de moda, su camino ha sido idéntico al de toda celebridad nacida para acumular fama y algún pequeño escándalo. Pero hay más: no hay modo de dejarla pasar sin intentar una reflexión sobre los medios, la belleza y el consumo. No se sabe quién está detrás del látex y de esos dos metros de altura que cumplen hasta el paroxismo con los mandatos de belleza plástica. Sus mascotas, sus peinados y todos sus accesorios son esculturas que confecciona para cada salida. Soy conversó con “ello” para intentar comprender quién y qué están habitando su resbaladiza piel. <br><br>
Desde la primera fila de algún desfile de la firma londinense Sorapol, la performer británica Pandemonia es una silueta de colores plenos y brillo líquido que perfora el espacio como un troquel anodizado de dos metros plegándose sobre una silla que le queda chica. Toda ella es una idea maximizada en trazos anchos, un boceto de Roy Lichtenstein impreso tridimensionalmente en látex de pantonera caprichosa desde las entrañas de la contemporaneidad más taxativa. Es muñeca inflada e inflable; es humana y es inerte; es obra, es persona, es cartel, es enorme. Decir que a su lado la concurrencia general de la semana de la moda de Londres empalidece sería no solamente justo sino exacto, y estamos hablando de una de las concurrencias mejor nutridas de todas las semanas de moda del planeta. En solamente tres temporadas Pandemonia logró escalar de figura novedosa de la vida nocturna local a invitada deluxe en los shows más vanguardistas de la escena fashion británica. Ya no pisa discotecas (la gente fuma, ella es de látex); prefiere las inauguraciones y los eventos.<BR><BR>
<B><big>Inflable inflada</big></b><BR><BR>
Nacida como una ¿criatura? de autoría anónima, o más bien, secreta, Pandemonia hizo sus primeras apariciones públicas en algún momento de 2009 como producto de una serie de críticas y reflexiones sobre la fama y la cultura obsesionada por la imagen de los medios masivos actuales. Se supone que quien está detrás de la ¿creación? es un artista conceptual inglés, aunque a esta altura no tendría sentido intentar corroborar semejante dato, por llamarlo de algún modo. Ella es observadora y es observada dado que todo aquello que capta, procesa y regurgita sobre el lienzo de su fisonomía performática es a su vez captado, procesado y regurgitado para uso masivo y suyo propio. Representa un colmo posible del consumo irónico actual al que tanto nos complace entregarnos porque es, en esencia, post sí misma -aunque opte por definirse como “post-pop”-, y no hay otra cosa más contemporánea para una personalidad que saberse cómicamente efímera y patéticamente indispensable al unísono. <BR><BR>
Nacida como una ¿criatura? de autoría anónima, o más bien, secreta, Pandemonia hizo sus primeras apariciones públicas en algún momento de 2009 como producto de una serie de críticas y reflexiones sobre la fama y la cultura obsesionada por la imagen de los medios masivos actuales. Se supone que quien está detrás de la ¿creación? es un artista conceptual inglés, aunque a esta altura no tendría sentido intentar corroborar semejante dato, por llamarlo de algún modo. Ella es observadora y es observada dado que todo aquello que capta, procesa y regurgita sobre el lienzo de su fisonomía performática es a su vez captado, procesado y regurgitado para uso masivo y suyo propio. Representa un colmo posible del consumo irónico actual al que tanto nos complace entregarnos porque es, en esencia, post sí misma -aunque opte por definirse como “post-pop”-, y no hay otra cosa más contemporánea para una personalidad que saberse cómicamente efímera y patéticamente indispensable al unísono. <BR><BR>
<b>¿Cómo ha ido cambiando tu idea de ser una performer pública desde tus primeros días? Y además, ¿cómo fueron afectando con el tiempo las reacciones de la gente a tus performances?</b><BR><BR>
-Mucho ha cambiado desde que creé a Pandemonia. Al comienzo, lo que criticaba a través de Pandemonia era la cultura de las celebridades y la TV reality. Las redes sociales estaban en su infancia. Los auspicios de marcas con famosos y la prensa amarillista de aquellos días resultan inocentes y triviales en comparación con lo que hoy tenemos. En estos momentos Trump, el primer presidente que es a su vez una celebridad proveniente de la TV reality, está al mando de la Casa Blanca. Estamos oficialmente en la era de los “hechos alternativos”, en la que la fantasía es ahora realidad. Quizás sea momento para que Pandemonia se convierta en Primera Ministra, o al menos presida el gobierno de una o dos islas (sic). Pienso que Pandemonia es más relevante ahora que nunca antes. <BR><BR>
<b>No puedo evitar pensar en tu autodefinición como “post-pop”, aunque también podría decirse que sos post-humana. Me pregunto: ¿qué tan humana sos?</B><BR><BR>
-Pandemonia es una persona, un logo y una marca combinadas. Estoy de acuerdo en que es post-humana, dado que su humanidad es en gran parte un personaje de la ficción del público. Hay cierta trascendencia en eso.Pandemonia es una trade mark, una marca registrada, un bien de mercado. Claro que hay trascendencia: ella es habitante de la memoria colectiva porque todo su ser en acción y en cuerpo es la idea misma de un ser en acción y en cuerpo. Para muestra, véase cómo los gajos laterales de sus peinados están en permanente agite estático. O, también, cómo muchas veces prefiere hablar a través de signos impresos en formato de globo de diálogo, interpolado del sistema gráfico de los cómics. <BR>
En el último ejemplar de la publicación fashionista Russh, la performer declaraba: “Si leés todos los diarios y revistas después de una de mis apariciones, y ves a la gente quizás diciendo cosas derogatorias o positivas, realmente no importa… Se vuelve más algo sobre esas mismas personas que sobre mí misma”.<BR><BR>
<B>Cuando los medios te devuelven tu propia imagen, procesada, intervenida, ¿cómo la recibís? ¿Y cómo afecta eso tus siguientes apariciones?</b><BR><BR>
-¡Es emocionante! La estética de Pandemonia fue creada alrededor de la idea de poder devolver a los medios masivos sus propios ideales y valores… Ser siempre joven… Tener un estilo de vida lujoso. Percibo como un logro poder aprovecharme de esos mismos medios para que reproduzcan mi mensaje. El año pasado hice una campaña global para la marca de calzados Camper. Mi imagen, que es la de una obra transversal, fue repetida a través del planeta. Cuando hago una aparición pública y la gente discute lo que hago, lo considero un éxito. Es importante que todxs influenciemos la narrativa de los medios masivos. Después de todo, todxs somos formadorxs de imagen y pensadorxs.<br><br>
<b>¿Cómo manejás la inevitable incomodidad que puedan sentir ciertas personas cuando hacés una aparición pública? ¿Hubo alguna ocasión en la que hayas pensado “esto no termina bien” o “esto excede todas mis expectativas”?</b><br><br>
-Al estar en el ojo de la tormenta, no siempre me doy cuenta por completo del efecto que estoy causando en la gente. Siempre es fantástico escuchar los puntos de vista del resto. La incomodidad, la extrañeza, son algo bueno. Despiertan a la gente y hacen que piense. Dicho esto, es importante dar un contexto. Los lugares a los que vas afectan la percepción que se tiene de uno, así que usar un poco de sentido común sirve de mucho. Lxs lectorxs de tu revista sabrán de qué hablo.<br><br>
Ya hace rato que Pandemonia ha dejado de mostrar los ojos, último rastro de lo físicamente humano que subyace (o subyacía) bajo el montaje. Ahora su mirada va siempre cubierta de lentes ahumados al tono del conjunto. Ella es la literalización del polémico concepto it girl, que se adjudica a aquellas chicas del momento que tienen “algo” (“it”, en inglés). Pero también “it” es, en ese idioma, el pronombre neutro adjudicable a lo definible y lo no tanto. Es decir: Pandemonia no “tiene” ese tan buscado “algo” (carisma, misterio o lo que se prefiera) sino que “es” algo, en el sentido de que se propone como una definición corpórea de los atributos que la gente vea en ella. No tan rápido, Sonia Ben Ammar: no hay girl más it que ella, por muchxs seguidorxs que abarrotes en tu cuenta de instagram. Aunque podríamos aquí etiquetarla como una “chica plástica” y reírnos tres segundos frente a la pantalla o el papel, más ajustado sería recordar que todos sus trajes, que a su vez incluyen piel y pelo, están fabricados por ella misma en látex y no en otro material. Y así como es exclusiva confeccionista de su propio cuerpo, también es propietaria celosa del derecho a preservarse como Pandemonia y como ninguna otra persona más. Entrevistándola, poco importa saber sobre su edad o su género autopercibido. Estamos frente a una personalidad que excede algunas de las limitaciones humanas más elementales.<br><br>
<B>Me gusta no saber quién está debajo del latex, así que quisiera preguntarte si alguna vez pensaste en revelar quién es Pandemonia.</B><br><br>
-Yo produzco arte para mí y para gente desconocida. Trabajar a partir de un nom de plume me permite tomar distancia y reflexionar sobre la cultura. El misterio, a su vez, le permite a esa gente proyectarse en Pandemonia y hacerla propia. Pandemonia es definitivamente un personaje público. No veo razones para modificar esta dinámica.<br><br>
<b>Estar en primera fila en algunos de los desfiles de moda más increíbles del mundo tiene que ser una posición muy afortunada. ¿Hay ventajas y desventajas que Pandemonia tenga que enfrentar por el “solo” hecho de ser ella misma?</b><br><br>
-Es una perspectiva privilegiada. Me posiciona en un lugar de ventaja porque puedo ser observadora de algunos de los esfuerzos creativos más sobresalientes de nuestra época, además de todo lo que rodea esos mundos. Creeme, la primera fila de un desfile ofrece una muy buena vista de lo mejor y lo peor de la humanidad. Inversamente, sé que no soy una mera observadora, y de hecho unx nunca puede olvidar que está siendo observadx bajo una lupa. Puede ponerse candente.<br><br>
Casi como su coterránea Amy Lamé, flamante Zar Nocturna londinense, Pandemonia necesita estar no sólo atenta y al pie de las pasarelas sino también en permanente ejercicio de su figura pública porque sin exposición expira como un cheque firmado en hollín. Aquel convenio con la marca de calzados Camper, que recién se mencionara, terminó por resultar ideal para ambas partes: los nuevos modelos semejaban trozos de la propia Pandemonia modelados al calor como cuerdas de goma colorinche, mientras que la firma la tuvo en primera plana promocionando la línea a través de redes sociales y en inauguraciones varias. Y no obstante su popularidad en crecimiento exponencial, todavía no se concretan, al parecer, campañas de productos para el pelo y el buen cutis. <br><br>
<B>¿Seguís una rutina de belleza? ¿Algún consejo para otras personas hechas de látex?</B><br><br>
-Creo firmemente en las mascarillas y en los tratamientos de cabello voluminizantes. Y en la buena ropa, que nunca hace mal.
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-9436418566483615602017-02-18T09:47:00.001-08:002017-02-18T10:01:36.499-08:00Russh MagazineRussh Magazine: Portrait of a Lady. March 2017, words Miranda Darling.<br><br>
<p style=" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;"> <a title="View Portrait of A Lady on Scribd" href="https://www.scribd.com/document/339676465/Portrait-of-A-Lady#from_embed" style="text-decoration: underline;" >Portrait of A Lady</a> by <a title="View Pandemonia's profile on Scribd" href="https://www.scribd.com/user/170610793/Pandemonia#from_embed" style="text-decoration: underline;" >Pandemonia</a> on Scribd</p><iframe class="scribd_iframe_embed" src="https://www.scribd.com/embeds/339676465/content?start_page=1&view_mode=scroll&access_key=key-2B8INxZFRDhLkid3wgAk&show_recommendations=true" data-auto-height="false" data-aspect-ratio="1.4835526315789473" scrolling="no" id="doc_23526" width="100%" height="600" frameborder="0"></iframe>
PORTRAIT OF A LADY <Br><br>
Intrigued? You should be. Pandemonia lets us behind the latex.<br><br>
Words Miranda Darling<br><br>
It’s impossible not to stare at Pandemonia. Some do it covertly from behind their cup of tea, their sunglasses ... most don’t bother to hide their interest in the two-metre-tall latex Amazon moving elegantly through the lobby of the Chiltern Firehouse in Marylebone. Pandemonia sits graciously – she moves with great care, her voice soft and her words well spoken as I ask about her name. “It comes from
Paradise Lost
, Milton. I just like the idea of chaos – that creativity comes from chaos ... In
Paradise Lost
there’s this palace where all the spirits live, and it’s created by Mammon. I think it’s built on the head of a pin or something ... it’s tiny so there’s a [play with] scale, and I like the Mammon aspect – there’s a crassness to it.” Discreetly making sure we are not sitting perilously close to the open fire, I suggest that Pandemonia acts as a Trojan horse of sorts, inserting herself into popular culture, all the while using its machinations as part of the artistic process. The latex lady nods carefully: “Definitely. It turns into a critique of itself. And by performing Pandemonia, I am feeding the media back their own imagery – glossiness, beautifulness, shininess ... You look at all the newspapers and magazines [after an appearance] and see these people with Pandemonia and they might be saying derogatory things or positive things, it doesn’t really matter ... It becomes about them more than me.” <br><br>
The artist pinpoints June 2000 as the moment celebrity culture really began to take off, with mobile phones, the internet and social media creating a platform where we could all manufacture our own history, language, and stories. Pandemonia began to make work around these ideas and the messages being transmitted by the advertisements, the “forever-young, glossy culture”, to create a celebrity around these themes, “the meta-narrative”, as she puts it, that would “reverse the subject and the object in an art piece”. <br><br>
Pandemonia herself is constructed, the artist explains, out of signs and symbols:
her hair is not ‘hair’ but rather a symbol of hair; the same applies to the little dog Pandemonia often carries with her. Indeed, she is as familiar as she is strange because she manifests so many of the hyper-recognisable tropes of our pop culture. “The iconography is probably based on Americana from the 50s, 60s, 70s and 80s, which has seeped into UK culture.” Even the choice of latex as a material, shiny and ‘plasticky’, with all its sexual connotations, is linked to our subconscious. Latex links meaning to Pandemonia’s imagery; it is made from the sap of trees – from nature, the artist explains – and so has connections to the “nature within ourselves that we can’t really control – only temper. It’s something the conscious mind is not really in control of,” she says. It is “erotic and evocative”, bound up with the artist’s interest in shamanic ideas, and the archetypes that run through Western culture. <br><br>
The artist makes all of Pandemonia’s clothes as well, having studied anatomy and how the body fits together. The cut-and-paste pattern work is glued together, with ideas drawn not from current fashion but from the past. “I find drapery very psychological,” Pandemonia says. “I never created this stuff to look realistic – it’s all supposed to look like the image of it, the sign of it, the symbol of a person, which I think is important. It’s like a three-dimensional drawing ... I used to make prints. A lot of my earlier work was about language ... and I wanted somehow to get inside the advert, to get through the surface of the printed image to the other side of the pixels.<br><br>
“Pandemonia as a vessel,” she goes on, “has allowed me to travel around the world and go to places I could just never ever go to ... and see the world from a different perspective. You’re born into the world with certain traits – like family, gender – but then I can do Pandemonia and rubbish all of this, do something completely different.” She takes a careful sip of her drink through a straw. “I am describing a whole cross-section of society by living it.” However, she laughs quietly, “I have to be invited because they’d spot me straight away!”<br><br>
When I first met Pandemonia in the summer we had talked about façades, and her fear that, one day, her mask would literally fall apart in public. What role does anonymity play in Being Pandemonia, I wonder? “It’s important,” she replies quickly. “All you see is Pandemonia. You just have to deal with that, and think about that. If I were to show a different person, I would destroy the image. If you see the person behind it, you will just be fixated on that and not the product – it would be like killing it.” It also adds another dimension to the stories the media can write about her:
Who is Pandemonia?
The anonymity adds mystery.<br><br>
The latex covering reminds me of superheroes and I ask the artist if it feels different being ‘in character’. “I do sometimes feel different. Like my core is sliding around a bit ... and when everybody knows you as Pandemonia, well you just become more Pandemonia.” And being Pandemonia requires the participation of other people; it requires the right context, too. “I’m very particular about where I go,” she says. “I don’t like to go to clubs, for example, because the framework of wherever I go shifts it, and it gets out of my control very quickly.” Pandemonia did recently go to Paris for Fashion Week. “It’s quite exciting, going all around Paris. I only went to one show – it’s too difficult with the language, so I just did the show then disappeared.” Does Pandemonia take the Eurostar? “I can’t explain everything ...” she replies, “She
was
at Paris Fashion week ... People are thinking about it.”<br><br>
As well as collaborations with behemoth brands such as Camper and countless editorials for fashion magazines, Pandemonia appeared in the latest
Absolutely Fabulous
film, and on the gold carpet. “The
Ab Fab
premier was brilliant! I came to life. The premier was better than the film for me!” She had made a silver dress for the occasion, and says film is something she would definitely do again, despite the difficulties of being <br><br>
“I never created this stuff to look realistic – it’s all supposed to look like the image of it, the sign of it, the
symbol of a person.” <br><br>
Pandemonia for 12 hours straight. The moving image is another vehicle that works perfectly for Pandemonia; it gives her a voice. “I always wanted to jump across mediums. Making work for the gallery never goes beyond that,” the artist adds. “All the action is actually happening in the centre, between all the people. Then you see celebrities and how they can transfer from newspaper to TV to film ... I always thought that was rather unfair that they could do that but, as an artist, you’re always locked into something – a picture on the wall and that’s it. Why can’t we do more than this? And now we have digital media, we can do more.”<br><br>
I find myself smitten with Pandemonia’s little pooch. She has three small hounds: Snowball (white) Snowbelle (pink, and the one I am privileged to be cradling) and a leopard-spotted one. Pandemonia’s blog features a ‘dog’s eye view’ as well as her own. “I can do things through the dog that Pandemonia can’t do, talk about things from another angle.” Pandemonia shows me some photographs of Snowball at an opening. “[For the dogs] it’s always about food and jewellery and money – all the crass stuff.”<br><br>
For all of society’s obsession with surface, and Pandemonia’s playful engagement with that, there is no one woman or celebrity whom the artist identifies as Muse. Film stills, however, are a big inspiration for elements like Pandemonia’s hair. “I never [base] it on one exact person. There’s Veronica Lake, I suppose – the ideal ... I’m quite old-fashioned. I look at what’s happening currently but that’s not what I draw from.”<br><br>
Pandemonia draws from a deeper archetypal well that includes the Makishi tribe in Africa, and the Siberian shamans who are always male and dress as female for ceremonies. In many traditional societies, the feminine is seen to be more connected with nature and the subconscious. “In art,” Pandemonia continues, “artists are always painting the female form, and in advertising the female form is used to sell things – the emblem of consumer society. That was my logic.”<br><br>
Pandemonia and her embodiment of recognisable (and artificial) tropes also engages with the idea that the repetition of advertising images of an ‘ideal woman’ changes our view of what is normal. The female form is the embodiment of our desires – men want her, and women want to be her – therefore Pandemonia carries that charge with her, larger than life in every way.<br><br>
As we go to leave, Pandemonia is spotted by a small gang of girls, about 10 years old, who are immediately drawn to her. “You are amazing!” one exclaims, “Are you real?!” One mother takes out her phone and there is the obligatory round of selfies, Pandemonia’s process in action, and so the circle of my afternoon with Pandemonia elegantly closes in on itself.
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-28406817918617770502017-02-04T04:36:00.002-08:002017-02-04T04:40:32.276-08:00HELLO! fashionPandemonia: MyFashion Fantasy. March 2017, words Jo Bounds.
<p style=" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;"> <a title="View HELLO! Fashion - My Fashion Fantasy: Pandemonia on Scribd" href="https://www.scribd.com/document/338390358/HELLO-Fashion-My-Fashion-Fantasy-Pandemonia#from_embed" style="text-decoration: underline;" >HELLO! Fashion - My Fashion Fantasy: Pandemonia</a> by <a title="View Pandemonia's profile on Scribd" href="https://www.scribd.com/user/170610793/Pandemonia#from_embed" style="text-decoration: underline;" >Pandemonia</a> on Scribd</p><iframe class="scribd_iframe_embed" src="https://www.scribd.com/embeds/338390358/content?start_page=1&view_mode=scroll&access_key=key-JSiXe07GnpnTBoeqnu57&show_recommendations=true" data-auto-height="false" data-aspect-ratio="0.7068965517241379" scrolling="no" id="doc_92648" width="100%" height="600" frameborder="0"></iframe>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-77845999367820887352016-12-27T04:52:00.000-08:002017-10-04T02:19:53.367-07:00The Art GorgeousDecember 27, 2016
<a href="https://4.bp.blogspot.com/-2m19dDRVu_o/WJXOKocXayI/AAAAAAAAFQg/GGLhAIXumUYJq78i35wWmwrqmI5uvfclQCLcB/s1600/TheArtGorgeous2.jpg" imageanchor="1" ><img border="0" src="https://4.bp.blogspot.com/-2m19dDRVu_o/WJXOKocXayI/AAAAAAAAFQg/GGLhAIXumUYJq78i35wWmwrqmI5uvfclQCLcB/s320/TheArtGorgeous2.jpg" width="320" height="320" /></a><BR><BR>
<a href="http://www.theartgorgeous.com/around-the-globe-with-pandemonia/"" target="_blank">Original "The Art Gorgeous" article</a> by <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a>
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assemblage...<br><br>
<b>Around The Globe With – Pandemonia</b><br><br>
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✦ I step out of a taxi in Convent Gardens, a private member-looking club with no name on the front. The staff usher me into the main dining room. I’m a bit disoriented and the room goes silent as everyone is looking at me and I can’t see my host.<br>
Diana Chire rescues me and sits me down at a large table with at least 30 women, and I find myself the guest of She Zine, a feminist arts magazine. I’m next to Jessica Patterson, founder and CEO of JP Media Group. The conversation turns to #WCW Women’s Crush Wednesday and she explains, “I put these events on for women to reclaim the #WCW tag. We want to take ownership of our image and change its meaning.”<br><br>
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But she is interrupted by a muscular man in tight pants who leaps on to the table. He starts performing for us, and then I remember that we at Circus, a cabaret restaurant and cocktail bar.”
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Through the cabaret haze, I recognize a cartoon lobster. Philip Colbert of the Rodnik Band has just arrived, and I am so excited to hear about his recent collaboration with Chupa Chups. <br><br>
“I have always thought Chupa Chups is the perfect pop icon: it’s pop meets Surrealism,” Philip explains. “Did you know Salvador Dali created the original logo in 1969? For me, the lollipop is like the molecule of Pop.”<br><br>
I run into Brix Start Smith waiting for me. Brix worked with post punk fixtures The Fall and the Adult Net before moving into fashion with Philip Start. I loved her in the “I am Kurious Orange” ballet produced at the Michael Clark Ballet Company.<br><br>
As we talked at her table, a troupe of dancers march aboard and the fire breather treated us to a flaming nipple tassel dance.
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Turning back to Diana at the end of the evening, I give her my best wishes for the magazine. We discuss the night’s entertainment, Pandemonia, and how it all relates to Third Wave Feminism.
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Before the next act started I took the opportunity to disappear. POP!<br><br>
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<b>Maryam Eisler’s Searching for Eve in the American West</b><br>
Tristan Hoare Gallery<br><br>
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<small>Photo: Daniel Lismore, Philip Colbert, Maryam Eisler, Natan CG, Pandemonia and Nimrod Kamer.</small>
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✦ I love Americana, and love the biblical Eve, so this was an irresistible night out for me. In the company of my doggie, Snowbell, I set out to investigate.
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Pushing our way through her adoring fans I managed to get a few words with the artist, who fell in love with the American Southwest while on the trail of Georgia O’Keeffe.
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Who is your Eve”, I asked her.<br><br>
“She is Woman with a capital W, and the sensuality behind woman and nature as one.” Maryam was struck by the contrast between the soft, smooth curves of the female body and the jagged forms of the desert.<br><br>
I told her is seemed like the landscape was largely internal, like de Chirico’s?<br><br>
She agrees and adds that while in America she did a lot of research on American modern poetry. Influenced by Ezra Pound and E.E. Cummings, she actually married the poetry and images in the catalogue of the exhibition.<br><br>
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At that moment, in walked designer Edeline Lee wearing another Tromp L’oeil coat. How embarrassing! After documenting the faux pas, I decided it was time to high-tail it out of there. Snowbelle needed chocolate to recover, so we headed over to Belgravia to R Chocolate’s opening launch. Squeezing into the shop, Snowbelle couldn’t believe her luck as we were offered a dizzying array of the finest couture chocolates decked out in thyme and honey, strawberry and basil, lemon caramel, raspberry and tarragon, fresh mint and apple.<br><br>
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R Chocolate 198 Ebury Street London SW1W 8UN <br><br><br><br>
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<b>John Philips: Vanitas at the London Print Studio</b><br>
(Till Wednesday 21st December)<br><br><br>
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✦ At first glance, these sumptuous pictures look like 17th century paintings. On further investigation however, it becomes clear that they are a combination of digital manipulation and photography, some works being the combination of up to 14000 images.<br><br>
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Philips tells me, “Everybody has a camera on their phone and everyone is photographing trivia. So I decided I would also photograph things that were discarded and unwanted but try to make images that had a real sense of presence and that really enchanted and grabbed people.”<br><br>
Despite running the highly collaborative London Print Studio, John was able to carve-out a private space where he created these images. He adds, “Weirdly, although I did these in isolation they seem to have generated more of a social response than my other work. I suspect way back in our ancestry, we all buried flowers with our dead so our relationship to death and flowers is very deep and ancient. It resonates across all cultures.”<br><br>
Well, I knew it was time to get to the next show if I didn’t want to wilt myself.<br><br>
Cabbing it to Mayfair I caught up with Francesco for a tour of his latest exhibition.<br><br>
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<b>Francesco Jodice Cabaret Voltaire Gazelli Art House</b><br><br><br>
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✦ Francesco exhibition is a project 20 years in the making. Archiving 150 places around the world, it documents the social transformations facing our times – specifically what he sees as a growing phenomenon of cities defined more by psychological imperatives rather than physical realities.<br><br>
As evidence, Francesco cites “Baikonur”, the famous Cosmodrome in Kazakhstan. When the Soviet system collapsed, Putin rented the city from Nazarbayev. This is the first rented city in the world.”<br><br>
I point out it’s a bit like America renting Guantánamo Bay from Cuba, and ask if his work relates in any way to Trump or Brexit.<br><br>
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“That was a coincidence,” he says, but then takes me to see his video installation called Atalante. “The movie is based on a line from the video game called Deus Ex, ‘It is not the end of the world but you can see it from here’. I love this sentence, and I am inviting you on a terrace where you can see it. I have no judgement about Brexit of Trump. As an artist I am very curious to observe these things as a new chapter…it is the new flow of the tide, and I have no idea where it is going to bring us.”<br><br>
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I add that the internet and social media have changed the game. All this information and misinformation is challenging power and authority. Without facts we are only left with emotion and it is unsettling the current order.<br><br>
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<b>Maria Nepomuceno, Victoria Miro Gallery</b><br><br>
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✦ It was a hectic day. First, was ladies at tea with Hello! Magazine at the Café Royal, for a fashion interview. It was an interesting interview, supposing what Pandemonia’s perfect fantasy day would be, but with an invite in hand to Maria’s show, I was very aware of the time. I realized I had never been to the Victoria Miro Gallery, as prominent as it is, and as it turned out, it was a wonderful first visit. Meeting Maria, I find out that she lives and works in Rio de Janeiro, Brazil. She tells me that her work is heavily influenced by nature.<br><br>
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M: “My work as a whole there is always this idea of a flux of energy. All the parts of beads and ropes they are hand-made so there is this idea of creating an organism that makes me think about creating life as a whole, nature, plants, animals,landscape, and universe.”<br><br>
<b/>P: They do look a bit like internal organs, the subconscious.
Processes moving behind the scenes.</b><br><br>
M: “Yes, there is a viscerality. Each material has a symbolism. For example, the beads are for me like cells, microcosms. At the same time, they are reproduced at a large scale and they become like planets. They give an idea of cosmos.”<br><br>
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Another fantastic month from London…from molecules of Pop lollies, to the psychic plumbing of Maria Nepomuceno, it is enough to make your head go *POP*. <br><br>
by Pandemonia<br>
October & November, 2016<br>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-28488815788436041882016-10-19T04:54:00.000-07:002017-10-04T03:21:00.923-07:00The Art Gorgeous<a href="http://www.theartgorgeous.com/pandemonia-art-travel-paris-fashion-week/"></a>
Around The Globe With – Pandemonia.
Pandemonia’s Social Diary October 19th 2016
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<a href="http://www.theartgorgeous.com/pandemonia-art-travel-paris-fashion-week/"" target="_blank">The Art Gorgeous article</a> by <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> <br><br>
<br><br>
assemblage...<br><br><br>
<B>Around The Globe With – Pandemonia</b><br><br>
October 19, 2016<br><br><br>
<B>Pandemonia’s Social Diary ☀</b><br><br><br>
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✦ Walking for Manish Arora – Paris Fashion week
I step off the Euro Star, Gare de Nord and hop in the first cab I find. Arriving at Comptoir General, I am immediately made to feel at home by Manish and his team. They are very friendly and show me the outfit they wanted me to wear. Finding myself fourth in line, I am bit a nervous, but Mei the model in front of me puts me at ease.<br><br>
Several stylists buzz around, dressing me. It’s a strange experience wearing someone else’s fashion. It was fun to watch Pandemonia stripped of her tropes, slowly becoming an element of Manish’s vision.<br><br>
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The preparation is intense as we all get ready. I see some familiar faces from London modelling, singer Bishi and Artist/ Model Tessa Kuragi. I keep a look out for Mei, so long as I’m behind her I’ll be in the right place. There is a lot of shouting, it is a bit chaotic even. A blue dog called @Fluffy_the_Dog appears from somewhere and then… we are on!<br><br>
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After the walk, ever so quickly, all the girls change back to their street clothes and disappear into Paris. Afterwards in a bar around the corner I get Manish to tell me about his collection:<br><br>
“The idea of the collection was: life is beautiful.<br>
That’s how I began.I always believed that,<br>
while it’s not always easy,if you start thinking like that,<br>
it just happens. I wanted to bring that feeling into the show.”<br><br>
<b>“I like your pop aesthetic.<br>
I have a Western aesthetic too,<br>
but yours comes from somewhere else.”</b><br><br>
“I think it was Suzy Menkes who told me<br>
that my work is definitely not ethnic<br>
but that only an Indian designer<br>
could design something like that.”<br><br>
<b>“Your toaster handbag was great!<br>
Especially the toast bit being the purse.<br>
Money, the bread of life.”<br>
(Why didn’t I think of that one!)</b><br><br>
“It’s quite from your world.” <br><br>
<b>“How did you feel about the show?”</b><br><br>
“You know, I haven’t seen it yet, I was back stage.<br>
But the way it went off, the energy and reactions,<br>
seem it was really nice… After I go home I will crash out<br>
for a couple of hours, wake up, check everything and see how it went.” <br><br>
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<b>✦ Frieze Art 2016 Private View</b><br><br>
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Walking into Frieze, I bumped into was none other than the glamorous Nancy Dell’Olio. My doggie, Snowbell, instantly noticed her Louboutin Cataclou wedges sparkling on her feet, so we cozied up for some photos.<br><br>
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Following signs for my friend, Julie Verhoeven, I was surprised to find myself in the bathroom where she was manning her Toilet Attendant installation.<br><br>
<b>“Last time I met you was at the Melissa Pop shop Covent Garden…<br>
So this is your toilet?”</b><br><br>
“Well… I’m in charge.<br>
Five day shifts, 11 to 7 the majority of the days.”<br><br>
<b>“How are you finding your new career?”</b><br><br>
“So far everyone’s being very well behaved.<br>
I’m waiting for some shagging though<br>
I suppose that will happen after hours…”<br><br>
<b>“Wait until Friday night!”</b><br><br>
“I’m policing.<br>
People need to put the seats down.<br>
Keeping an eye on that.<br>
I’m selling a few wares.”<br><br>
<b>“What do you have to sell?”</b><br><br>
“Velvet poos.”<br><br>
<b>“Oh!… Are they going like hot cakes?”</b><br><br>
Moving back to the hall, I was drawn to the Silberkuppe Gallery’s, Anonymous Was a Woman by Margaret Harrison. Like a feminist Mount Rushmore, it features women prominent in politics and culture whose work brought them to nasty ends.<br><br>
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Later on, I met with Clelia Colantonio of the Frutta Gallery whose exhibit, she told me, was inspired by an Italian trattoria. It featured Lauren Keeley, a British Artist and her sight-specific pieces. Built up on plywood, the pieces are somewhere between sculpture and painting. They convey an interesting Trompe-l’oeil feel, but are actually built in three dimensions.<br><br>
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Around the corner, I was impressed by Jesse Darling’s “March of the Valedictorians”. The chairs, with extended legs bent into anthropomorphized shapes, were clearly inspired by Modernist tastes. Zhoe Granger of Arcadia Missa explained that Jesse often uses steal or other industrial materials, subverting the elements by coaxing them into more fragile organic forms.<br><br>
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Turning to another wall I spot some paintings with the Evisu logo.
The works are by a musician and artist named Dean Blunt, who chose Evisu because it was very prominent brand within the Hip Hop scene, commenting on the commercialization of hip hop culture. Zhoe stressed the representation of the rampant flattening what was once organic black street culture.<br><br>
Afterwards, I disappeared into the art fair bumping into fashion designers Pam Hog, Victoria Grant, photographer Diana Gomez and Bip Ling amongst many others.<br><br>
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<b>✦ Vin & Omi, 6th Oct</b><br><br>
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<small>Photo credits to Saul Zanolari!</small><br><br>
Dressed in black, hoping I’m not overdressed, it’s off to cocktails at the Sanderson Hotel where fashion designers Vin & Omi are launching MERGE, an exhibition of their favourite artists.<br>
James Unsworth’s graphic cigarette prints took my notice before I was spirited away by the glamorous Earl of Earl’s music. Earl told me she originally came from Alaska singing gospel in the local church choir. Moving to London, she decided to produce her own music. Discussing our looks, she let slip she wasn’t always blond. I reassured her that my hair wasn’t always blue. All the while, Saul Zanolari’s “BB the Green Boy” was smiling down at us.<br><br>
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Snowbell’s tummy rumbled as he had sniffed out the Alison Jacques Gallery across the street, where Takuro Kuwata confectionary-like work is on exhibition. Alison explained that Takuro’s work is rooted in traditional Japanese ceramics, but with “so many references in the work, even geographical ones with Japan being on a fault line. And there is a historical angst there”. On contemplation, I felt his work expressed a sort of elemental energy.<br><br>
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<small>Me with Alison Jacques and sculpture! Photo credits to James Unsworth!</small><br><br>
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<b>Colnaghi, 7th Oct Night</b><br><br>
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With an invitation to one of the oldest galleries in London, I set out to Colnaghi’s unveiling of their new 4,000 sq ft gallery & Vanitas exhibition opening. A subject close to my heart!<br><br>
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Vanitas is a selection of 30 Spanish paintings and sculptures from the 16th to 20th century on the theme of Memento Mori. It is dedicated to the genre of symbolic works that remind the viewer of their mortality, and the transient nature of our existence. Arriving at the gallery, I was struck by the live-action Mary Magdalene “painting” in the front window. For authenticity, the stylist brought all the cloths and props, even the slate floor, from Spain. <br><br>
The gallery was replete with stunning old masters, while creative director Diego Fortunato designed all the sumptuous interiors. The crowd was impressed with both. Snowbell meanwhile had her eye on the canopies, as did David Pun who I noticed was in attendance. I had a moment with DJ Blonde Ambition, a girl of like-mind who transmogrified the gallery space into a party with some fresh beats. By the end of the evening all dour warnings all cast aside, we guests all enjoyed ourselves in our own happy bubble. *POP*<br><br>
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<small>(Left) Me with DJ Blonde Ambition! Photo credits to her! </small><br><br>
by Pandemonia<br>
19th October 2016<br>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-71188295631498861622016-03-15T06:05:00.000-07:002016-03-15T06:06:33.672-07:00Camper SS16: Pandemonia<b><a href="http://www.pandemoniapanacea.com" target="_blank">Pandemonia</a></b> appearing in the latest <b><a href="http://www.camper.com" target="_blank">Camper</a></b> advertising campaign.<br><br>
Prints, Posters and Video.<br><br>
The campaign is global reaching both North and Southern hemispheres.<br>
Pandemonia represents <b><a href="http://www.camper.com/en_US/women/shoes/kobarah/camper-kobarah-K200155-005" target="_blank">Kobarah</a></b> shoe.<br><br><br>
Mallorca By Camper<br><br>
Art Direction: <b><a href="http://www.romainkremer.com/" target="_blank">Romain Kremer</a></b><br>
Photography and Video: <b><a href="http://danielsannwald.com/" target="_blank">Daniel Sannwald</a></b><br>
Styling: <b><a href="http://www.annatrevelyan.com/" target="_blank">Anna Trevelyan</a></b><br>
Set Design: <b><a href="http://showstudio.com/contributor/gary_card" target="_blank">Gary Card</a></b><br>
Music: <b><a href="http://eskimotion.com/" target="_blank">James Kelly</a></b><br><br><br>
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Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-45521500076427168482014-09-08T03:25:00.000-07:002014-09-08T03:25:55.630-07:00TAINT Magazine
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<B>TAINT: the intersection between art and politics </B> <br><br>
number one: the gender issue<br><br>
summer 2014<br><br>
<h1><b><a href="http://www.pandemonia99.com" target="_blank">Pandemonia</a></b><br><br></h1>
<small>INTERVIEW BY NIALL UNDERWOOD<br>
PHOTOS BY <a href="http://www.louiebanks.com/" target="_blank">LOUIE BANKS</a><br><br></small>
<a href="http://www.taintmag.com/" target="_blank">http://www.taintmag.com/</a><br><br>
Purchase your copy from <a href="http://taintmag.bigcartel.com/" target="_blank">http://taintmag.bigcartel.com/</a> <br><br>
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<b>Please could you start by telling us a little bit about what you do.</b><br><br>
I am a Fine Artist. The role of the artist is a unique position – one that can illuminate and affect society. As part of my artistic production I created a celebrity. I constructed her out of signs and symbols that point to modern day myths. By exhibiting my celebrity “Pandemonia” at events such as fashion shows, product launches and art openings, my image and ideas have spread virally through the media. Pandemonia is an artistic intervention.<br><br>
<B>So did you ever expect Pandemonia to slip so successfully into the <a href="
http://www.instyle.co.uk/celebrity/pictures/mollie-king-celebrity-transformations/mollie-king-with-pandemonia-at-the-felder" target="_blank">'front row'</a><br><br></b>
At fashion shows there is a strict hierarchy which dictates who sits where. I had no idea how the 'powers that be would react. When I arrived, the press photographers, the audience and security spontaneously began performing 'Pandemonia'. Pandemonia was photographed by the press pack and placed centre front row.<br><br>
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<b>You've talked before about how Pandemonia allowed you to take your work from the gallery and to exhibit directly within society. Why might this be an important transition for art to make?</b><br><br>
My work is about our culture, so I took it directly to the people and into the everyday so as to create a discourse. Going outside the boundaries of the art system has opened it up to more possibilities. It has blurred the lines of illusion ans reality.<br><br>
If the work was originally exhibited in a gallery it would be labelled and contained. Presenting it in its current format has caused a lot of confusion and kept it alive, It instigates questions rather than completeness. It is a form of détournement.<br><br>
Technology is changing us. To make the work current it seemed to me to be important to use social media.<br><br>
I chose to use the celebrity motif partly because people relate to celebrity and because celebrities are 'cross platform'; they translate well through all media platforms. <br><br>
The work operates on the plain of myth. Myths, identities and ideas of normalcy are perpetuated and reinforced through adverts and the media. I wanted my work placed in situ amongst these. My images now get carried by the very same media, it's been shown in top glossy magazines and television around the world.<br><br>
<h1>"By placing alternate images in the mainstream media an artist can attempt to reveal and affect the mechanisms of how things work."</h1><br><br>
My celebrity functions differently from the traditional celebrity. If you decode her she is more like a Trojan Horse. Being carried by the mass media allows the work to form an internal critique.<br><br>
As the wok gets more established I can see it re-entering and working in the gallery setting.<br><br>
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<b>Do you feel that Pandemonia has been received and appreciated as an artwork?</b><br><br>
That really depends on the viewer. My work is democratic in the sense that it appeals to all sorts of people and that it allows them to make up their own minds about it. I think it is good to fall in between definitions, finding t5he cracks is one way to reveal something new.<br><br>
<b>The democratic appeal of Pandemonia is something I found initially interesting about the work. Where contemporary art can often be conceptually elitist, Pandemonia appeals to masses as something else entirely. The very same media who did not recognise Tracy Emin's bed as an artwork appear to have welcomed and promoted Pandemonia as a celebrity.</b><br><br>
That is how a Trojan Horse works, it appears as one thing but inside it is something else. Our 'guardians' – those who choose what to report – accepted Pandemonia with open arms. I wanted the work to get good exposure because it relates to what is going on in culture now, not to just the select few. When I constructed Pandemonia I was thinking of semiotics. The signifier and the signified., An equation where the viewer fills in the blanks.<br><br>
Any advertiser knows that media space is at a premium and that blondes are especially popular with the media. It was a question of realising the moment. SO I fed the media back their own imagery. I made a point of keeping away from exhibiting in the gallery. I showed Pandemonia in non elitist places where it would give the press an easy narrative to write around. She is the perfect blank canvas to hang stories off of.<br><br>
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<b>You touched on the possibility of the work returning to as gallery context. Is this something which may happen soon?</b><br><br>
I have various projects in the pipeline. The context, or 'framing', is crucial to how the work is perceived. The work needs to function beyond the walls of the gallery.<br><br>
<b>Pandemonia takes an obviously female form. Do you conciser this a reflection on the way in which the media expects women to aesthetically please?</B><br><br>
Yes and no. For me that is too simplistic an interpretation. Pandemonia is an allegory. I chose to make her female because in advertising the Female is the emblem of our market society. The myths and aspirations of our times are played across her body. Her image is the most effective advertising device known to mankind. Her image sells. Both men and women like to look at her.<br><br>
<b>I liked what you said about market society; this fe-male-inspired emblem does seem to be used relentlessly, and to advertise such a vast quantity of products. Pandemonia has responded well to this idea, but do you see any way that we, as a society, can move towards this not being the case?</B><br><br>
It's a symptom of the capitalist cycle. Advertising functions to create demand where there is none. Demand needs to be created to pay debt, Debt is the driving force behind money creation.<br><br>
Myth and Image are the motivators behind our desires. By placing alternate images in the mainstream media an artist can attempt to reveal and affect the mechanisms of how things work.<br><br>
TAINT
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-78932492456505226162014-07-07T06:17:00.001-07:002014-07-07T06:57:28.486-07:00Automatic Art. GV Art<b>Automatic Art:</b> human and machine processes that make art<br><br>
4-26 July 2014<br>
<B><a href="http://www.gvart.co.uk/" target="_blank">GV art</a></B>,<br>
49 Chiltern Street<br>
London W1U 6LY<br><br>
It had been a sweltering hot day at home for <a href="http://www.pandemonia99.com" target="_blank">Pandemonia</a> and Snowy, by 7pm the temperature had dropped and they both felt the need to go out.
After flicking through their PV invites and they settled for the London Art and Science gallery <a href="http://www.gvart.co.uk/" target="_blank">GV_Art</a> <br><br>
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At the gallery Pandemonia and Snowy were greeted by GV owner Robert Devcic.<br>
Robert briefed them on 50 years of Automatic Art: human and machine processes that make art, exhibition.<br><br>
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Then Robert whisked them downstairs, to the back gallery space, where he introduced Pandemonia and Snowy, to British Computer artist <a href="http://www.doc.gold.ac.uk/~mas01whl/ " target="_blank">William Lathham</a>.<br><br>
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Will was all fired up and engaged P&S with his interactive of Human Mutator2 Reflector in time piece of work. Both P&S were captivated by the work.<br><br>
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Pandemonia and Snowy moved from one playful demonstration with Will, to another by British Constructivism artist <a href="http://www.peterllowe.plus.com/" target="_blank">Peter Lowe</a>.<br>
Peter explained his transformable construction of 5 groups of 5 stainless steel tube with aluminium, an exhibit Snowy wanted to get his paws on. <br><br>
But the gallery was filling up with guests and Pandemonia needed a escape the heat and find a thirst quencher, so they shifted to the bar, in the outdoor gallery court yard.<br><br>
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There, they encountered the new guard of Science and Art, in the comely shape of Westminster College student Robbie Anson Duncan, (who Snowy discovered Robbie has become a Westminster fashion department muse), Robbie was so taken by Pandemonia & Snowy, he asked to be snapped. <br><br>
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That done, another guest jumped in and asked "can I do a selfie with you" Pandemonia and Snowy obliged him.<br><br>
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Then Pandemonia and Snowy entered back into the gallery & cast their beady eye's over Ernest Edmonds, Four Shaped Forms, Acrylic and digital print on canvas.<br><br>
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Snowy, recognised fellow conceptual artist <a href="http://www.artslant.com/global/artists/show/149256-alexander-hidalgo" target="_blank">Alexander Hidalgo</a>.
Pandemonia recalled their last meeting was at <a href="http://pandemonia99.blogspot.co.uk/2013/10/frieze-art-fair-2013.html" target="_blank">Freeze Art fair</a> when they were with their two chums Nick Rhodes and his partner Maria Suvio aka Nefer.<br><br>
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Pandemonia and Snowy then took to the stairs, to see ground floor exhibits.<br>
No sooner had P&S reached the ground floor, there were mobbed by a host of fun loving art enthusiastic children, that stormed the gallery and surrounded P&S, with their mum pleading for a pix.<br><br>
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Being children friendly Pandemonia & Snowy consented and then were free to see artist <a href="http://www.tate.org.uk/art/artists/harold-cohen-925" target="_blank">Harold Cohen</a> colourful "Coming Home" <br><br>
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Malcolm Hughes - Relief Maquette<br><br>
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and Nathan Cohen, "Crossing" black white and grey work.<br><br>
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Having seen the work Pandemonia and Snowy were given a hearty send off by Charles Gollop and Robert, who thanked P&S for coming.<br><br>
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As Pandemonia and Snowy waited for their cab, they were set upon by ex Vidal Sassoon master crimper <a href="http://www.billicurrie.com/" target="_blank">Billi Currie</a>.<br><br>
Billi's own salon was next door, and tried to enticed Pandemonia in, forever the hairdresser couldn't resist checking out P hair and its superb gloss, bounce and condition.<br><br>
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Pandemonia politely refused, so Billi called out his team and a one of their client's joined them, to see the marvellous tresses of Pandemonia and it's creative hair style.<br><br>
"My hair, is, all my own work" Pandemonia said as P&S waved everyone goodbye and piled into a taxi for cool comfort of home.<br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-64404773952186143412014-06-27T05:10:00.000-07:002014-06-27T05:10:15.416-07:00PUPMAG<small><a href="http://pupmag.com" target="_blank">PUPMAG</a> issue 2 Summer 2014.</small><BR><BR>
<B>15 minutes.</B><br><br>
<small>Photo: Romy Treebusch</small><br><br>
<a href="http://1.bp.blogspot.com/-CDG7EV6w1uM/U61b4Ss5wGI/AAAAAAAAEss/UqGBcsI5cAk/s1600/Pupmag2.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-CDG7EV6w1uM/U61b4Ss5wGI/AAAAAAAAEss/UqGBcsI5cAk/s320/Pupmag2.jpg" /></a><br><BR>
Pandemonia<br>
Artist<br><br>
"I created Pandemonia from mass media imagery, then fed her back to the very same media. She is like a modern day Trojan Horse. On the surface she is the consumerist vision in person; forever young, tall and glossy etc. Under the veneer, the work promotes discourse; a dismantling of that same image. She is an allegory for living in the 21st century and operates in the social sphere. She is democratic because it is the public that made her. There is no institution or public body behind her promoting her. People vote for her with their camera phones. Her image has spread virally around the world."<br><br>
<a href="http://1.bp.blogspot.com/-8_kqGckHkWU/U61b3_u-0fI/AAAAAAAAEso/fRbFwNl_piM/s1600/Pupmag1.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-8_kqGckHkWU/U61b3_u-0fI/AAAAAAAAEso/fRbFwNl_piM/s320/Pupmag1.jpg" /></a><br><br>
Pandemonia<br>
Artist<br><br>
"In showbiz, identity is ones trademark. Identity is something you wear and one’s humanity is not reducible to a single identity. We wear “masks” to help navigate between public and private spaces. Oneself is more than ones job or any other isolated slice of ones identity."
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-660870876288594512014-06-25T02:56:00.000-07:002014-07-02T03:09:05.263-07:00NRC next... The modern Trojan horse<a href="http://www.nrc.nl/" target="_blank">NRC next</a> interview by <a href="http://www.christeldon.nl" target="_blank">Christel Don</a> <br><br>
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English Google translation<br><br>
<b>I am the modern Trojan horse</b><br><br>
She goes through life in a large latex suit / / And give her true identity / / What do accomplish this British living work of art ?<br><br>
Saturday, May 17, 2014<br><br>
She is more than two meters long , fully dressed in latex , often accompanied by her white inflatable dog Snowy . In England they are more than five years, a phenomenon. With its cartoonish appearance she sits front row at fashion shows , and there are few famous Britons not been in the picture with her. Slowly but surely getting the rest of the world in its sights : Pandemonia . This week is a living work of art for the first time in the Netherlands .<br><br>
While the British style icon orders tea, the question arises how practical such a hot drink when you tightened is in a non - breathable suit and even talking requires effort . "I have indeed occasionally to vent . " Pandemonia have yet to comment about her identity , but the stubble around her mouth and deep voice make it unlikely that a woman hidden under the latex.<br><br>
You never fail ? Talk about yourself in interviews, why<br>
" If I reveal my identity , it creates noise. I would suddenly instance Joe Blogs are also known as Pandemonia . Then the focus shifts to my personality rather than the ideas that I want to convey. This would be much less interesting. "<br><br>
What exactly do you want to say with your extravagant looks ?<br><br>
"I 'm an artist . If you look at me , you will not see me , but my work . After 2000, the focus on celebrities in the media flight. Increasingly, they appeared on the front pages : stories about who they went out , kissed , or where they were spotted drunk . That fascinated me immensely and made me think . What does it say about our society ? Suddenly I thought, why can not there instead of some celebrity is not a work of art at that spot in the newspaper ? A work of art that produces discussion. "<br><br>
Why was that art Pandemonia ?<br><br>
" Pandemonia is a catalyst that would continue to go about our culture and the way we shape our society . Dialogue people thinking Actually, as a kind of modern Trojan horse . I copy first role models , stereotypes and myths that dominate the media. Subsequently apply them in their own way and I give them back to the media . "<br><br>
That sounds a bit vague . Give an example .<br><br>
" For example I am blond, slightly pinkish blond moment , but a variant of blonde. The media love blondes more than brunettes . That's a stereotype . Just look at classic movie stars , who are all blond. They simply become more obvious . "<br><br>
So you create an inflatable blonde hair as a sort of parody ?<br><br>
" Exactly . But I use the same language as the media , I use the same stereotypes , so I then appear through the same media channels back into the picture . "<br><br>
On the pictures you often find yourself with an inflatable dog . What is its function ?<br><br>
" Snowy is my icebreaker. Even the most rigid people thaw when I introduce him . That again , happens every time very striking . "
It is intriguing and surprising at the same time , interview someone who hides literally from head to toe in a rubber outfit seems influenced by artists such as Andy Warhol , Roy Lichtenstein and Jeff Koons . Where you normally looks for the moment someone shows something of his mask fall , that will not happen quickly at Pandemonia . Anonymity is part of what she wants to wear out. A bigger mystery is why what drives it most of the year to go as a life-sized latex doll life.<br><br>
" Art in a gallery or museum has been closed. It is in a safe area . I did not hear from museums , but I avoid that context aware . I go directly to the public. "<br><br>
How do you get money ?<br><br>
" Sometimes I get sponsored by big brands who invite me to an event . I wear something commissioned . All I do that only if I 'm behind the brand. Furthermore, my travels generally paid by the person inviting me . Or I sell some of my art . "<br><br>
How important is identity still these days ? "<br><br>
" We all wear masks . Identity slips from our fingers . Think of how technology evolves . We are not the only ones who decide what happens to our identity . Facebook can be used without permission and pictures on websites can be published so information about us . "<br><br>
Finally , how do you be such a stereotype ?<br><br>
" Think carefully about what you read and what you consume . Images you see are always paid by someone . And the reason that someone pay for, because they sell a product . Your whole identity is built around products . Realize that and create your own history . You only live once . " <br><br><br>
<B>Origional....Dutch</B><br><br>
Ik ben het moderne paard van Troje<br><br>
Ze gaat door het leven in een groot latex pak // En zwijgt over haar ware identiteit // Wat wil dit Britse levende kunstwerk bereiken?
zaterdag 17 mei 2014 <br><br>
Ze is ruim twee meter lang, volledig in latex gehuld en gaat vaak vergezeld door haar witte opblaashond Snowy. In Engeland is ze al ruim vijf jaar een fenomeen. Met haar stripachtig uiterlijk zit ze front row bij grote modeshows en er zijn weinig bekende Britten níet met haar op de foto geweest. Langzaam maar zeker krijgt ook de rest van de wereld haar in het vizier: Pandemonia. Deze week is het levende kunstwerk voor het eerst in Nederland.<br><br>
Terwijl het Britse stijlicoon thee bestelt, rijst de vraag hoe praktisch zo’n heet drankje is wanneer je strakgetrokken zit in een niet-ademend pak en zelfs praten moeite kost. „Ik moet er inderdaad af en toe uit om te luchten.” Pandemonia laat niks los over haar identiteit, maar de stoppels rond haar mond en de lage stem maken het onwaarschijnlijk dat er een vrouw onder het latex schuilgaat.<br><br>
Je praat nooit over jezelf in interviews, waarom niet?<br><br>
„Als ik mijn identiteit onthul, ontstaat er ruis. Dan zou ik opeens bijvoorbeeld Joe Block zijn, ook wel bekend als Pandemonia. Dan verschuift de aandacht naar mijn persoonlijkheid in plaats van de ideeën die ik wil uitdragen. Dat zou veel minder interessant zijn.”<br><br>
Wat wil je precies zeggen met je extravagante looks?<br><br>
„Ik ben kunstenaar. Als je naar mij kijkt, zie je niet mij, maar mijn werk. Na 2000 nam de aandacht voor beroemdheden in de media een vlucht. Steeds vaker verschenen ze op voorpagina’s: verhalen over met wie ze uitgingen, zoenden of waar ze dronken gesignaleerd waren. Dat boeide mij mateloos en zette me aan het denken. Wat zegt het over onze maatschappij? Opeens dacht ik, waarom kan er in plaats van zo’n beroemdheid niet een kunstwerk op die plek in de krant? Een kunstwerk dat discussie oplevert.”<br><br>
Waarom werd dat kunstwerk Pandemonia?<br><br>
„Pandemonia is een katalysator die mensen aan het denken wil zetten door de dialoog aan te gaan over onze cultuur en de manier waarop we onze maatschappij vormgeven. Eigenlijk als een soort modern paard van Troje. Ik kopieer in eerste instantie rolmodellen, stereotyperingen of mythes die in de media overheersen. Vervolgens pas ik ze op eigen wijze aan en geef ik ze weer terug aan de media.”<br><br>
Dat klinkt een beetje vaag. Geef eens een voorbeeld.<br><br>
„Ik ben bijvoorbeeld blond, een beetje rozig blond momenteel, maar een variant op blond. De media houden meer van blondines dan van brunettes. Dat is een stereotype. Kijk maar naar klassieke filmsterren, die zijn allemaal blond. Ze vallen gewoonweg meer op.”<br><br>
Dus creëer jij een blond opblaaskapsel als een soort parodie?<br><br>
„Precies. Maar ik gebruik wel dezelfde taal als de media, ik gebruik dezelfde stereotyperingen en daarom verschijn ik vervolgens via dezelfde mediakanalen weer in beeld.”
Op foto’s sta je vaak met een opblaashond. Wat is zijn functie?<br><br>
„Snowy is mijn ijsbreker. Zelfs de meest stijve mensen ontdooien als ik hem introduceer. Dat gebeurt iedere keer weer, heel frappant.”
Het is intrigerend en bevreemdend tegelijk, iemand interviewen die zich letterlijk van top tot teen verbergt in een rubberen outfit die beïnvloed lijkt door kunstenaars als Andy Warhol, Roy Liechtenstein en Jeff Koons. Daar waar je normaliter zoekt naar het moment dat iemand iets van z’n masker laat vallen, zal dat bij Pandemonia niet snel gebeuren. Anonimiteit is onderdeel van wat ze uit wil dragen. Een groter mysterie is daarom wat haar drijft het grootste deel van het jaar door het leven te gaan als een levensgrote latex-pop.
„Kunst in een galerie of museum is afgesloten. Het zit in een veilige ruimte. Ik heb niks tegen musea hoor, maar ik mijd die context bewust. Ik ga direct naar het publiek.”
Hoe verdien je eigenlijk geld?<br><br>
„Soms word ik gesponsord door grote merken die me uitnodigen voor een evenement. Dan draag ik iets in opdracht. Al doe ik dat alleen als ik achter het merk sta. Verder worden mijn reizen over het algemeen betaald door degene die me uitnodigt. Of ik verkoop wat van mijn kunst. ”<br><br>
Hoe belangrijk is identiteit nog deze dagen?”<br><br>
„We dragen allemaal maskers. Identiteit glipt uit onze vingers. Denk aan de manier waarop techniek zich ontwikkelt. Wij zijn niet meer de enigen die bepalen wat er met onze identiteit gebeurt. Facebook kan zonder toestemming foto’s gebruiken en op websites kan zo maar informatie over ons gepubliceerd worden.”<br><br>
Tot slot, hoe voorkom je zelf zo’n stereotype te worden?<br><br>
„Denk goed na over wat je leest en wat je tot je neemt. Beelden die je ziet worden altijd door iemand betaald. En de reden dat iemand er voor betaalt, is omdat ze een product verkopen. Je hele identiteit is gebouwd rond producten. Realiseer je dat en creëer je eigen geschiedenis. Je leeft maar één keer. ”
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-34048442885194572882014-06-21T02:38:00.000-07:002014-07-02T03:06:49.658-07:00Pandemonia in Amsterdam. day 1After several hours of umming and arring, <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy decided what to take to Amsterdam, then they packed everything ready for their trip.<br><br>
British Airways were very accommodating, and Pandemonia and Snowy arrived at the capital's hidden gem,
<a href="https://en-gb.facebook.com/pages/Hotel-Toon/734894993192325" target="_blank">Hotel Toon</a>, Utrechtsestraat 18, Old Centre, Amsterdam,
1017 VN.<br><br>
Hotel co-owner Sal Knuvers personally greeted them and showed them to their spacious suite.<br><br>
The following morning, Snowy was quick off the mark and had the red collar on at the blink of an eye.
Pandemonia smiled at him and slipped on the vibrant pink and lime green dress with tomato red band, matching red handbag, gloves and a pair of high heel peep toe Melissa shoes, and cherry picked some Balenciaga sunglasses.
A once over in the mirror they were ready to face the day.<br><br>
<a href="http://4.bp.blogspot.com/-qzt0R37yY9E/U43D_6g9suI/AAAAAAAAEpc/3-XOliInKZ0/s1600/Pandemonia-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-qzt0R37yY9E/U43D_6g9suI/AAAAAAAAEpc/3-XOliInKZ0/s320/Pandemonia-Amsterdam.jpg" /></a><br><br>
At the Hotel cafe, Pandemonia and Snowy had a cup of tea and a 9am interview with journalist <a href="http://www.christeldon.nl" target="_blank">Christel Don</a>.
Christel it transpired was an in depth reporter who viewed this assignment seriously and asked pertinent questions, in an attempt to get <a href="http://pandemonia99.blogspot.co.uk/2014/06/nrc-next-modern-trojan-horse.html" target="_blank">insight into Pandemonia the artist</a> for
<a href="http://www.nrc.nl/" target="_blank">NRC</a> Hollands quality broadsheet newspaper. <br><br>
The hour long interview flew by and came to an end in time for the hand over to Annemarie Van Gerrevink co-owner of Pup Creative Agency. <a href="http://pupcreativeagency.com/" target="_blank">Pup Creative Agency</a><br><br>
Annemarie pulled out her laptop and showed Pandemonia and Snowy a break down of the day's schedule.
That done, they had time for a brief photo call for all concerned, this pleased Sal, who found himself to be the male centre of attention. <br><br>
<a href="http://3.bp.blogspot.com/-iGEt5E4jrl4/U43EbVLw8YI/AAAAAAAAEpk/0mWiI_LZh6Q/s1600/Pandemonia-bags-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-iGEt5E4jrl4/U43EbVLw8YI/AAAAAAAAEpk/0mWiI_LZh6Q/s320/Pandemonia-bags-Amsterdam.jpg" /></a><br><br>
Pandemonia and Snowy were delighted with Annemarie's calm professional approach and explained they couldn't pass the day without popping heads around the door of <a href="http://www.tassenmuseum.nl/en" target="_blank">Museum Bags and Purses</a>, to say hi to the staff, Berenice Beaumont and Jacquline Van Maaren, having made a promise the night before.<br><br>
Once inside the museum Pandemonia & Snowy were captivated by the vast collection of bags, from spooky skeleton doggie bags on the ground floor to Louis Vuitton trunks and 1930's plastic bags on the second floor. <br><br>
<a href="http://4.bp.blogspot.com/-fpA936foIXs/U43EkQwUE_I/AAAAAAAAEps/oIW2FrV2rD0/s1600/Pandemonia-handbags-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-fpA936foIXs/U43EkQwUE_I/AAAAAAAAEps/oIW2FrV2rD0/s320/Pandemonia-handbags-Amsterdam.jpg" /></a><br><br>
Plus, a rare full beaded Katerine Baumann "Diet Coke" Minaudiere Evening purse, and in the same cabinet the world famous Judith Leiber cupcake purse the sister to Patricia Field's choice for the pivotal wedding scene in "Sex and The City" movie.<br><br>
<a href="http://3.bp.blogspot.com/-drpSdumbb8w/U43EyfJxfuI/AAAAAAAAEp0/ykKHnxfaSf4/s1600/Pandemonia-taxi.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-drpSdumbb8w/U43EyfJxfuI/AAAAAAAAEp0/ykKHnxfaSf4/s320/Pandemonia-taxi.jpg" /></a><br><br>
Adrenaline fix over, it was time to leave the museum.
Pandemonia and Snowy stepped outside and behold the chauffeur of <a href="https://www.uber.com/cities/amsterdam" target="_blank">Uber car</a>'s on hand to ferry them to the studio
They were driven post haste to Studio <a href="http://www.witmankleipool.nl/NO6-STUDIOS/MAP/1/" target="_blank">Witman Kleipool</a>.<br><br>
On arrival Pandemonia and Snowy were greeted by the Pup Magazine creative team, all keyed up and ready to shoot Pandemonia and Snowy for <a href="
http://pandemonia99.blogspot.co.uk/2014/06/pupmag.html" target="_blank">Pup Magazines</a> second bumper issue Snowy discovered is to be released 20th of June.<br><br>
<a href="http://4.bp.blogspot.com/-8ZXCC63Pf_Y/U43FA3IYONI/AAAAAAAAEp8/73qTYuW3cv0/s1600/Pandemonia-pup-shoot-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-8ZXCC63Pf_Y/U43FA3IYONI/AAAAAAAAEp8/73qTYuW3cv0/s320/Pandemonia-pup-shoot-Amsterdam.jpg" /></a><br><br>
The magazine's Creative Director Thamar Luthart took one look at the Pandemonia test shot in daywear and pulled out a portrait image from June issue mock-up, and after a confab with the photographer Romy Treebusch, they were unanimous. The red gloves next to Pandemonia's face was an ideal fit with the mag layout.
All that was required to fit the remit was a change of sunglasses, Diesel sunglasses replaced the Balenciaga, and the team commenced firing on all cylinders.<br><br>
<a href="http://1.bp.blogspot.com/-KtH58io3hzo/U43HkC6N8GI/AAAAAAAAEqI/kuLN071dr1Y/s1600/925859_597736630334382_1326652444_n.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-KtH58io3hzo/U43HkC6N8GI/AAAAAAAAEqI/kuLN071dr1Y/s320/925859_597736630334382_1326652444_n.jpg" /></a><BR>
<small> Photo: <a href="http://manoahbiesheuvel.com/" target="_blank">Manoah Biesheuvel</a></small><br><br>
The fever pitch shoot captured on film, by
<a href="http://manoahbiesheuvel.com/" target="_blank">Manoah Biesheuvel</a>, the city's top film maker, who was quietly looming in the background.<br><br>
Red shot over, there was an intermission during which, Pandemonia and Snowy changed into their next ensemble.
Pandemonia reached for the canary yellow fitted dress, bag, vintage shoes from Camden and Vans sunglasses, Snowy's donned a coordinating collar.
They returned to the scene of the crime and everyone snapped back into work mode.<br><br>
As a consequence of the teams keen diligence the shoot was running way ahead of schedule. The next stop gap was when Pandemonia had to change into another outfit.
This time Pandemonia plumbed for a the cobalt blue, deep V-neck, A-line dress, matching bag and Melissa Estrelicia shoes and Snowy added his collar too.<br><br>
<a href="http://1.bp.blogspot.com/-yctcY992wUs/U6FU_7ZSpkI/AAAAAAAAEqo/by_D94wCWZs/s1600/Pandemonia-interview.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-yctcY992wUs/U6FU_7ZSpkI/AAAAAAAAEqo/by_D94wCWZs/s320/Pandemonia-interview.jpg" /></a><br><br>
And before they resumed Anne Mestrom PR guru from <a href="http://http://www.gan-baroo.com/" target="_blank">Ganbaroo PR</a> showcases halted proceedings to enable journalist <a href="http://www.independentfashiondaily.com/12600/pandemonia-opblaaspop-met-een-missie/" target="_blank">Georgette Koning</a> a 30 minute interview.
Georgette thanked Pandemonia and Snowy for being punctual and let slip "I'm flying out of the country in a couple of hours to interview someone else".
Georgette asked for a quick snap and proceeded to rush out the door.<br><br>
<a href="http://3.bp.blogspot.com/-T7dNnvl0UqU/U6Fa6nN8NpI/AAAAAAAAEsY/7KgE0fCLRq0/s1600/Pandemoniapup-wrappsd.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-T7dNnvl0UqU/U6Fa6nN8NpI/AAAAAAAAEsY/7KgE0fCLRq0/s320/Pandemoniapup-wrappsd.jpg" /></a><br><br>
Pandemonia and Snowy returned to finish the shoot which ended in record time,
and the team chorused "we look forward to seeing you tonight at the shoot wrap dinner".<br><br>
Pandemonia and Snowy reverted to their earlier daywear garb and climbed into the Uber car that transported them to the 5 star Hotel <a href="http://www.conservatoriumhotel.com/" target="_blank">Conservatorium</a>.<BR><BR>
<a href="http://1.bp.blogspot.com/-D6oDp4XTuwE/U6FVPa8rocI/AAAAAAAAEqw/rq7R8j98in8/s1600/Pandemonia-conservatorium-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-D6oDp4XTuwE/U6FVPa8rocI/AAAAAAAAEqw/rq7R8j98in8/s320/Pandemonia-conservatorium-Amsterdam.jpg" /></a><br><br>
There they were met on the Hotel forecourt and given a warm welcome by Nicole Canoy Marketing & Communications Manager and her new assistant Nina Van Spyker,
followed by Schilo Van Coevorden the celebrated Executive Chef of Tunes restaurant.<br><br>
Inside the hotel Pandemonia and Snowy were taken to a secluded area by Nicole and Luara Kemp interviewed Pandemonia for Pup Magazine.<br><br>
<a href="http://1.bp.blogspot.com/-BQSPuF-mrig/U6FVesoqc5I/AAAAAAAAEq4/fyWprOrqHjE/s1600/10354318_1502757966610629_1225676602_n.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-BQSPuF-mrig/U6FVesoqc5I/AAAAAAAAEq4/fyWprOrqHjE/s320/10354318_1502757966610629_1225676602_n.jpg" /></a><br><br>
After Luara was satisfied she had enough copy for her article Pandemonia and Snowy took leave and joined Annemarie and Manoah in the Brasserie and Lounge for lobster soup and watched them both devouring the a scrumptious lunch, prepared presumably by Schilo, while Nicole explained to the group "we're fully booked and have a really good return business".<br><br>
<a href="http://2.bp.blogspot.com/-88uTGWF-MYk/U6FZutGmQ0I/AAAAAAAAEr8/8vZMFyslOtU/s1600/Pandemonia-hotel--Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-88uTGWF-MYk/U6FZutGmQ0I/AAAAAAAAEr8/8vZMFyslOtU/s320/Pandemonia-hotel--Amsterdam.jpg" /></a><br><br>
Lunch over Nicole escorted Pandemonia and Snowy through the hotel. P&S were transfixed by the hotels Violin chandelier display.<br><br>
<a href="http://4.bp.blogspot.com/-4_FVOxHtkt0/U6FaDxmkbhI/AAAAAAAAEsE/ttPVBNkbvm8/s1600/Pandemonia-cop-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-4_FVOxHtkt0/U6FaDxmkbhI/AAAAAAAAEsE/ttPVBNkbvm8/s320/Pandemonia-cop-Amsterdam.jpg" /></a><br><br>
Outside the hotel's main road entrance, Pandemonia and Snowy found a new ally in the shape of a Dutch motorbike Police officer who kept his eagle eye on the road and zoomed off only when the P&S Uber car pulled up.<br><br>
Pandemonia and Snowy were now free to be tourists and visit various places logged in the smart phone, accompanied by photographer <a href="http://www.peterdekrom.com" target="_blank">Peter De Krom</a>. Peter was there to get a reportage picture for a newspaper.<br><br>
<a href="http://4.bp.blogspot.com/-bViiv4gnDOw/U6FV5PGNoYI/AAAAAAAAErA/2GdSnF2Yst4/s1600/Pandemonia-Amsterdam-SQ.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-bViiv4gnDOw/U6FV5PGNoYI/AAAAAAAAErA/2GdSnF2Yst4/s320/Pandemonia-Amsterdam-SQ.jpg" /></a><br><br>
Pandemonia and Snowy's first port of call, Amsterdam's historical 13 Century Dam Square. Here Pandemonia and Snowy were hoping to get insight to the city's alternative culture from street entertainers a common sight in this vicinity.<br><br>
<a href="http://2.bp.blogspot.com/-0OtwACe70rs/U6FWF2nmCDI/AAAAAAAAErI/s2jHwh8xLVs/s1600/Pandemonia-Amsterdam-Centraal.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-0OtwACe70rs/U6FWF2nmCDI/AAAAAAAAErI/s2jHwh8xLVs/s320/Pandemonia-Amsterdam-Centraal.jpg" /></a><br><br>
However No Show. P&S assumed on this glorious sunny day street entertainers had skipped the square, perhaps to lay in the park and soak up the rays.
Luckily Peter got his shot there.<br><br>
The next place on the Pandemonia and Snowy list was Amsterdam Central main line station. However, when they arrived their eye's met with an overwhelming sight, rows upon rows of bicycles thousands of them.<br><br>
<a href="http://1.bp.blogspot.com/-xghtsm4Rdm0/U6FWSGJh72I/AAAAAAAAErQ/s0kZrCd6sFc/s1600/Pandemonia-bicycle-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-xghtsm4Rdm0/U6FWSGJh72I/AAAAAAAAErQ/s0kZrCd6sFc/s320/Pandemonia-bicycle-Amsterdam.jpg" /></a><br><br>
Unfortunately, Pandemonia hadn't packed suitable attire for cycling.<br><br>
<a href="http://1.bp.blogspot.com/-81LDnaf2CKk/U6FaV6RgWoI/AAAAAAAAEsM/UiMx_qM3PPE/s1600/Pandemonia-comuters-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-81LDnaf2CKk/U6FaV6RgWoI/AAAAAAAAEsM/UiMx_qM3PPE/s320/Pandemonia-comuters-Amsterdam.jpg" /></a><br><br>
They eventually reached the Central station at 4 minutes to 5pm<br>
A peek time for teenagers, who surrounded Pandemonia and Snowy as they made a mad rush to get home. <br><br>
Pandemonia and Snowy took their lead and headed back to the hotel to recuperate and dress for dinner.<br><br>
Fully rejuvenated Pandemonia and Snowy chose very carefully what to wear to <a href="http://www.lionnoir.nl/" target="_blank">Lion Noir</a> restaurant, knowing it ranks as one of the capitals elegant hot spots.
Pandemonia went for the eau de nil green with fuschia pink cuffed wrap dress, bag, Vivienne Westwood/Melissa wedge sandals and Just Cavalli sunglasses.
Snowy teamed his look with the same daring fuschia collar. <br><br>
<a href="http://4.bp.blogspot.com/-BKC1CTu7JPY/U6FWbqGFHNI/AAAAAAAAErY/Yz1fspPLhlY/s1600/Pandemonia-lion-noir-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-BKC1CTu7JPY/U6FWbqGFHNI/AAAAAAAAErY/Yz1fspPLhlY/s320/Pandemonia-lion-noir-Amsterdam.jpg" /></a><br><br>
At the Lion Noir, they were met by the dashing owner Serge Rijn, who after he'd seated Pandemonia and Snowy comfortably raced off to fetch the menu. <br><br>
Pandemonia and Snowy were delighted to meet, Dineke Van Den Heuvel the Fashion Director.<br>
Dineke was the person who spotted Pandemonia and Snowy, when scanning the fashion pages and was instrumental in getting P and S on board for the Pup Magazine shoot.<br><br>
<a href="http://2.bp.blogspot.com/-iThyGSijW3M/U6FWxlg6w7I/AAAAAAAAEro/GK4wrRuutkk/s1600/Pandemonia-drinks-with-pup.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-iThyGSijW3M/U6FWxlg6w7I/AAAAAAAAEro/GK4wrRuutkk/s320/Pandemonia-drinks-with-pup.jpg" /></a><br><br>
When the whole crew were seated, Snowy seized the roll reversal opportunity and popped the camera and captured Dineke, Annemarie, Pandemonia, Thamar and Elouise on the razzle.<br><br>
As midnight approached Pandemonia saw Snowy showing signs of exhaustion after a 15 hour day. So P bid the gang afscheid (which is the Dutch equivalent to au revoir), tucked Snowy under the arm and bundled into a cab back to the hotel.<br><br>
<a href="http://4.bp.blogspot.com/-g1atrnIT9Nc/U6FZnr3DqdI/AAAAAAAAEr0/ndGfJoTq0SE/s1600/Pandemonia-cooks-Amsterdam.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-g1atrnIT9Nc/U6FZnr3DqdI/AAAAAAAAEr0/ndGfJoTq0SE/s320/Pandemonia-cooks-Amsterdam.jpg" /></a><br><br>
In the hotel kitchen, staff provided Pandemonia with a bed time hot chocolate drink and wished P&S a good nights rest.
In their suite Pandemonia and Snowy too fatigued to talk , curled up in bed & went fast asleep.<br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-8250400912001486482014-05-29T12:00:00.000-07:002014-07-09T02:59:27.829-07:00RCA Fashion 2014Snowy was over the moon that morning, when Pandemonia flashed him their invite to the Royal College of Art fashion show.<br>
<a href="http://www.pandemonia99.com" target="_blank">Pandemonia</a> & Snowy scanned the wardrobe and they opted for metallic blue ensemble, agreeing this would be appropriate for todays event. <br><br>
In the taxi, their excitement grew to a fever pitch, aided and abetted by a traffic jam, one that caused Pandemonia and Snowy to arrive just in the nick of time.<br>
At the entrance, they were informed the show was about to start, so speedily took their pew, and found themselves sat next to Claudia Croft The Sunday Times Newspaper Fashion Editor and
<a href="http://www.thesundaytimes.co.uk/sto/style/" target="_blank">Style Magazine</a>'s Head of Fashion.<br><br>
<a href="http://3.bp.blogspot.com/-otwVSq8Xe3Q/U70JUzDuQEI/AAAAAAAAEvg/UGq42Sz9-hs/s1600/Claudia-Croft-and-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-otwVSq8Xe3Q/U70JUzDuQEI/AAAAAAAAEvg/UGq42Sz9-hs/s320/Claudia-Croft-and-Pandemonia.jpg" /></a><br><br>
Claudia gave Snowy a lady like squeeze, exchanged a quick how do you do with Pandemonia, did a snap, and then show commenced.<br><br>
<a href="http://4.bp.blogspot.com/-lIIiZdD9sPs/U70KwgKPdzI/AAAAAAAAEwM/SszAoAKooXM/s1600/RCA-fashionI.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-lIIiZdD9sPs/U70KwgKPdzI/AAAAAAAAEwM/SszAoAKooXM/s320/RCA-fashionI.jpg" /></a><br>
Designers: Nam Jung Choi, Chloe Orange, Ida Gro Christiansen, Jung Sun.<br><br>
The runway collections were awash with garments that were tailored, sculptural, knitted and in digital prints, some that were bright vibrant colour palette, to others that had a transparent plastic overlays, that gave updated 60s spin to outfit.<br><br>
<a href="http://1.bp.blogspot.com/-ku5gwIXNx14/U70Jeny82mI/AAAAAAAAEvo/zRvJkrZ_Bqk/s1600/Duggie-Fields-Pandmonia-Peter-York.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-ku5gwIXNx14/U70Jeny82mI/AAAAAAAAEvo/zRvJkrZ_Bqk/s320/Duggie-Fields-Pandmonia-Peter-York.jpg" /></a><br><br>
After the show, Pandemonia and Snowy were asked to pose for pictures by some of the guests.<br>
Which they duly did, as well as say hello to fellow artist <a href="http://www.duggiefields.com/" target="_blank">Duggie Fields</a> and the co-author of 1982 <a href="http://www.amazon.co.uk/The-Official-Sloane-Ranger-Handbook/dp/0852232365" target="_blank">"Sloane Ranger Handbook"</a> Peter York- real name Peter Wallis. <br><br>
<a href="http://4.bp.blogspot.com/-iFa1lBNRR3o/U70JsLy71lI/AAAAAAAAEvw/MB5BGXuDtL4/s1600/Sheila-Brown-Pandemonia-Bobby-Hilson.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-iFa1lBNRR3o/U70JsLy71lI/AAAAAAAAEvw/MB5BGXuDtL4/s320/Sheila-Brown-Pandemonia-Bobby-Hilson.jpg" /></a><br><br>
As they were easing their way out, Snowy spied two former heads of fashion of St Martins College of Art, Sheila Brown and Bobby Hilson.<br>
Sheila and Bobby, Snowy whispered in Pandemonia ear, are acknowledged by fashion industry veterans, as the two most influential people in fashion colleges for the past 30 years.<br>
When the late (Lee) Alexander Mcqueen showed Bobby his portfolio, applying to do a pattern cutting course, it was Bobby, who put Lee straight and told him, NO, you have to do a degree course, and the rest is history. <br><br>
<a href="http://1.bp.blogspot.com/-K2eHQijh_IU/U70JzQIS-pI/AAAAAAAAEv4/bW-avtidswE/s1600/Wendy-Dagworthy-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-K2eHQijh_IU/U70JzQIS-pI/AAAAAAAAEv4/bW-avtidswE/s320/Wendy-Dagworthy-Pandemonia.jpg" /></a><br><br>
Pandemonia moved from two dynamic women, to another, Wendy Dagworthy RCA Head of Programmes and Dean of School.<br>
Wendy has been the driving force of fashion at RCA since1998, and after last years <a href="http://pandemonia99.blogspot.co.uk/2013/11/pandemonia-royal-college-of-art-talk.html" target="_blank">Pandemonia RCA Lecture</a> had invited P&S to come to the fashion show.<br><br>
So it was only fitting for Pandemonia and Snowy to thank Wendy and after giving the obligatory farewell air kiss, they soldiered on to the exit.<br><br>
<a href="http://2.bp.blogspot.com/-M-LvnAhe5NU/U70J8oTnHEI/AAAAAAAAEwA/X_B48WNCoUo/s1600/Pandemonia-Christopher-Moore.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-M-LvnAhe5NU/U70J8oTnHEI/AAAAAAAAEwA/X_B48WNCoUo/s320/Pandemonia-Christopher-Moore.jpg" /></a><br><br>
They were halted yet again, this time by the undisputed icon catwalk fashion photographer <a href="http://www.chrismoorephoto.co.uk/index.html" target="_blank">Christopher Moore</a>.<br>
Snowy recognised Christopher, who'd been the doyen of Fashion Suzy Menkes photographer for more years than Snowy could count, and in Christopher's youth, he'd worked alongside Cecil Beaton.<br>
Christopher has documented the Haute Couture collections, ready to wear and college shows around the globe since the1960's.<br>
Chris got pally with Pandemonia & Snowy and confessed "I still get a kick out of shooting shows".<br><br>
On that note Pandemonia and Snowy left feeling fully fashioned out, and got a cab straight home, where they curled up on the sofa & had a catch up on their NBF Ferne McCann latest escapades. <br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-20524187491041519192014-05-21T07:01:00.000-07:002014-05-23T02:55:22.741-07:00A day in BerlinSaturday, after a hearty German breakfast <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy were fully fortified.<br>
Looking out their window seeing the sun shining down,they decided it was ideal weather conditions for a city hike.<br>
Pandemonia and Snowy got decked out in appropriate garb; Snowy in a chocolate brown collar; P a baby pink, light caramel and chocolate brown day dress, accessorised by a chocolate brown bag, <a href="http://www.balenciaga.com" target="_blank">Balenciaga</a> sunglasses and a pair of Vivienne Westwood/
<a href="http://www.melissa.com.br" target="_blank">Melissa shoes</a>. This was followed by obligatory Mirror check.<br><br>
Pandemonia and Snowy then jumped a cab rendezvousing at the <a href="http://www.galeriekornfeld.com" target="_blank">Galerie Kornfeld</a>, Kunsthandel Fasanenstraße 26, 10719 Berlin.<br><br>
<a href="http://4.bp.blogspot.com/-Sh1h8ir48QA/U3tt22zgujI/AAAAAAAAEcM/qanVeYCQs8U/s1600/Pandemonia-Galerie-Kornfeld.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-Sh1h8ir48QA/U3tt22zgujI/AAAAAAAAEcM/qanVeYCQs8U/s320/Pandemonia-Galerie-Kornfeld.jpg" /></a><br><br>
Snowy and Pandemonia waited patiently at the entrance to the gallery for Freddy to take them in and show them around.<br><br>
<a href="http://1.bp.blogspot.com/-2D_vppHF04o/U3tuBAU97JI/AAAAAAAAEcU/qqFSkT2gf4w/s1600/Pandemonia-Galerie-Kornfeld-painting.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-2D_vppHF04o/U3tuBAU97JI/AAAAAAAAEcU/qqFSkT2gf4w/s320/Pandemonia-Galerie-Kornfeld-painting.jpg" /></a><br><br>
Inside the gallery, Pandemonia and Snowy joined the visiting art enthusiasts and viewed the works of <a href="http://www.hubertscheibl.com/" target="_blank">Hurbert Scheibl</a>, Babylon, Thomas Paul all exhibiting.<br><br>
<a href="http://3.bp.blogspot.com/-JV-FOF84_iQ/U3tuJPyL-KI/AAAAAAAAEcc/WbHXd2jbIAo/s1600/Pandemonia-Galerie-Kornfeld-statue.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-JV-FOF84_iQ/U3tuJPyL-KI/AAAAAAAAEcc/WbHXd2jbIAo/s320/Pandemonia-Galerie-Kornfeld-statue.jpg" /></a><br><br>
During a silent moment when Pandemonia and Snowy paused to reflect on what they'd seen, Snowy realised late comers had mistaken them both as sculptures. How bizarre! <br><br>
<a href="http://1.bp.blogspot.com/-tlwQ0Iok5eE/U3tuV7IrvII/AAAAAAAAEck/naKmMwIWDaU/s1600/Pandemonia-and-Street.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-tlwQ0Iok5eE/U3tuV7IrvII/AAAAAAAAEck/naKmMwIWDaU/s320/Pandemonia-and-Street.jpg" /></a><br><br>
Outside the gallery while Pandemonia and Snowy scanned the street looking for their guide the actor <a href="
http://www.stephanluca.com/" target="_blank">Stephan Luca</a>.<br><br>
A cyclist stopped and said "you're beautiful, perfect in every way, so beautiful"
Flattered Snowy stuck his nose out and was promptly met with tickle under his chin.<br><br>
<a href="http://2.bp.blogspot.com/-rH-rgRAQZPE/U3tubVoxRkI/AAAAAAAAEcs/PznQ0IMepuc/s1600/Pandemonia-Berlin-church-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-rH-rgRAQZPE/U3tubVoxRkI/AAAAAAAAEcs/PznQ0IMepuc/s320/Pandemonia-Berlin-church-.jpg" /></a><br><br>
Pandemonia spotted Stephan and sped off in a 4x4 vehicle to the first of the Berlin landmarks - the
<a href="
http://www.gedaechtniskirche-berlin.de/KWG/index.php " target="_blank">Kaiser Wilhelm Memorial Church</a>.<br><br>
Saturday shoppers did a double take,as Snowy and Pandemonia sashayed by, arm in arm with their handsome city guide Stephan.
Back in the car, on the way to the Brandenburg Gate, Stephan let it slip "I'm in a mini TV series <a href="
http://www.bbc.co.uk/programmes/p01tlxzb" target="_blank">The Crimson Field</a> playing Anton Ehrlich" <br>
Snowy decided when he gets home, he's going to iplayer and watch Stephan in action.<br><br>
<a href="http://4.bp.blogspot.com/-LH0C7dTVRE8/U3uCFSI3oBI/AAAAAAAAEdc/ISrSA9E9XCk/s1600/freddy-gate-pandemonia.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-LH0C7dTVRE8/U3uCFSI3oBI/AAAAAAAAEdc/ISrSA9E9XCk/s320/freddy-gate-pandemonia.jpg" /></a><br>
<small>photo: <a href="http://www.camilladouraghy.com/" target="_blank">Camilla Douraghy</a></small><br><br>
At the <a href="http://www.berlin-landmarks.com/brandenburg_gate.html" target="_blank">Brandenburg Gate</a>, Snowy was blow away not as you'd expect by the gate but at the sight of his new best friend Freddy Kornfeld. Freddy gave S a gentle squeeze while inviting Pandemonia and Snowy to accompany him to Gallery Weekend Berlin cocktail that night at the old Berlin Airport
<a href="http://www.tempelhoferfreiheit.de" target="_blank">Tempelhof</a>. P&S replied "we'd be delighted"<br><br>
<small>photo: <a href="http://www.camilladouraghy.com/" target="_blank">Camilla Douraghy</a></small><br><br>
<a href="http://2.bp.blogspot.com/-jcfozmDnzUc/U3t9ahhsY2I/AAAAAAAAEdE/s5Ko7Cic9lM/s1600/Pandemonia-gate-Berlin-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-jcfozmDnzUc/U3t9ahhsY2I/AAAAAAAAEdE/s5Ko7Cic9lM/s320/Pandemonia-gate-Berlin-.jpg" /></a><br><br>
Pandemonia and Snowy excused themselves when brother and sister act sidled up next to them, neither spoke English. However they mimed they wanted their picture taken with them
and P&S obliged. <br><br>
<a href="http://1.bp.blogspot.com/-6uFpv_tq7W0/U3t-1vJw8mI/AAAAAAAAEdQ/_C3UtJuMkCc/s1600/Pandemonia-Berlin-Gate-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-6uFpv_tq7W0/U3t-1vJw8mI/AAAAAAAAEdQ/_C3UtJuMkCc/s320/Pandemonia-Berlin-Gate-.jpg" /></a><br><br>
As they turned to leave, they were held up by Fatima and her charming girlfriends, all of whom wanted their picture taken together too.
P&S felt compelled to do so.<br><br>
<a href="http://1.bp.blogspot.com/-Sq8h1TgUpvQ/U3uERV9ufwI/AAAAAAAAEdo/5D_ujDlSG7g/s1600/Kornfeld-car-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-Sq8h1TgUpvQ/U3uERV9ufwI/AAAAAAAAEdo/5D_ujDlSG7g/s320/Kornfeld-car-Pandemonia.jpg" /></a><br>
<small>photo: <a href="http://www.camilladouraghy.com/" target="_blank">Camilla Douraghy</a></small><br><br>
Moving away from the gate, Pandemonia and Snowy spotted Freddy's gallery car but were perplex as to where Freddy was!<br><br>
No matter, the ever dependable Stephan was on hand and knowing P&S both have a natural attraction to towering beauties he whisked Pandemonia & Snowy to <a href="
http://www.great-towers.com/towers/berliner-fernsehturm/" target="_blank">Fernsehturm</a> the fourth tallest freestanding structure in Europe.<br><br>
<a href="http://2.bp.blogspot.com/-3eeGBaenU-k/U3uEeJ9EARI/AAAAAAAAEdw/wZ2IkWtZU6A/s1600/Pandemonia--Berlin-tv-tower-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-3eeGBaenU-k/U3uEeJ9EARI/AAAAAAAAEdw/wZ2IkWtZU6A/s320/Pandemonia--Berlin-tv-tower-.jpg" /></a><br><br>
After Pandemonia and Snowy had seen the Fernsehturm, the rays of midday sun made them uncomfortable.
In the square outside P&S, scanned the horizons for Stephan to escape the heat.<br><br>
<a href="http://2.bp.blogspot.com/-CMcTTkIwB7I/U3uFb29iH9I/AAAAAAAAEd8/DtlEadDg72w/s1600/Pandemonia-feet-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-CMcTTkIwB7I/U3uFb29iH9I/AAAAAAAAEd8/DtlEadDg72w/s320/Pandemonia-feet-.jpg" /></a><br><br>
Unbeknownst to them Stephan was close by and intuitively sensed their plight & swept Snowy and Pandemonia off their feet and back to the airconditioned car.<br><br>
<a href="http://2.bp.blogspot.com/-WZ6fnBHGanY/U3uFkkbWINI/AAAAAAAAEeE/cbuF-uvmNUk/s1600/PANDEMONIA-BERLIN-WALL.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-WZ6fnBHGanY/U3uFkkbWINI/AAAAAAAAEeE/cbuF-uvmNUk/s320/PANDEMONIA-BERLIN-WALL.jpg" /></a><br>
<small>photo: <a href="http://www.camilladouraghy.com/" target="_blank">Camilla Douraghy</a></small><br><br>
They traveled next to <a href="http://www.eastsidegallery.com/" target="_blank">East Side Gallery</a> - <a href="http://www.history.com/topics/cold-war/berlin-wall" target="_blank">Berlin Wall</a> and it was here Pandemonia and Snowy had a heart to heart with Stephan, and P&S discovered Stephan to be a real gentleman, open minded and with a love of life.<br><br>
<a href="http://1.bp.blogspot.com/-VRLCdEqJOFc/U3uGLqxmK8I/AAAAAAAAEeU/cnSL7g0N1-0/s1600/wall-pandemonia.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-VRLCdEqJOFc/U3uGLqxmK8I/AAAAAAAAEeU/cnSL7g0N1-0/s320/wall-pandemonia.jpg" /></a><br>
<small>photo: <a href="
http://www.camilladouraghy.com/" target="_blank">Camilla Douraghy</a></small><br><br>
Their confab was disrupted by an eager couple wanting to immortalise their visit to Berlin with a picture of Pandemonia, Snowy and the Wall.<br><br>
<a href="http://1.bp.blogspot.com/-KIQNeMC6B1Y/U3uFsTcmpZI/AAAAAAAAEeM/iD6uxbymuhU/s1600/Pandemonia-and-Snowy-tour-of-Berlin-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-KIQNeMC6B1Y/U3uFsTcmpZI/AAAAAAAAEeM/iD6uxbymuhU/s320/Pandemonia-and-Snowy-tour-of-Berlin-.jpg" /></a><br><br>
This sparked off a crowd of onlookers and Pandemonia and Snowy's pals entered into the spirit of the moment, out came the mobile phones and cameras.<br><br>
Snapping over, Pandemonia and Snowy did a final lap of the wall and then toddled off back to the hotel to freshen up for evening.<br><br>
In their suite, Pandemonia and Snowy prepared for the evening's outing. P selected a cobalt blue dress, a pair of
<a href="http://www.melissa.com.br/en/collection/estrelicia" target="_blank">Estrelicia</a> Melissa shoes, and <a href="http://www.swarovski.com" target="_blank">Swarovski sunglasses</a> & Snowy a matching collar for the night ahead.<br><br>
<a href="http://3.bp.blogspot.com/-mqW6sBRob7E/U3uGgjfXpnI/AAAAAAAAEec/LaSLWVVq2LA/s1600/Pandemonia-and-Snowy-taxi-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-mqW6sBRob7E/U3uGgjfXpnI/AAAAAAAAEec/LaSLWVVq2LA/s320/Pandemonia-and-Snowy-taxi-.jpg" /></a><br><br>
In the hotel lobby their chaperon Freddy Kornfeld ushered Pandemonia and Snowy outside to the waiting cab, one that ferried them to <a href="http://www.gallery-weekend-berlin.de" target="_blank">Gallery Weekend Berlin</a> cocktail at Tempelhof.<br><br>
<a href="http://1.bp.blogspot.com/-NVLnyHPLIUs/U3uLXm-dphI/AAAAAAAAEeo/eyOj_rTu_RU/s1600/purple_DIARY_-_HIGHLIGHTS_FROM_BERLIN_GALLERY_WEEKEND,_Berlin.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-NVLnyHPLIUs/U3uLXm-dphI/AAAAAAAAEeo/eyOj_rTu_RU/s320/purple_DIARY_-_HIGHLIGHTS_FROM_BERLIN_GALLERY_WEEKEND,_Berlin.jpg" /></a><br>
<small>photo: <a href="http://purple.fr/diary/entry/photo-nbsp-maxime-ballesteros/article" target="_blank">Maxime Ballesteros for Purple Magazine</a></small><br><br>
The cocktail party was heaving with 1.500 guests, including Gallery owners, artists, collectors, Journalists, and over a glass of bubbly Freddy extended the invite to come back to his apartment.<br>
Snowy gave Pandemonia the nod, having been tipped off earlier by Mamuka Bliadze, Freddy's business partner, that he was expecting at least 30 other guests for light finger food super and drinks.
They arrived back in the centre of Berlin, and found themselves in a swank art dealers apartment, and it was just as Mamuka said buzzing with warm friendly art lovers.<br><br>
<a href="http://1.bp.blogspot.com/-13E7DNscBDQ/U3uLvTvOixI/AAAAAAAAEew/i-2eyT-71Us/s1600/Pandemonia-and-Snowy-party-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-13E7DNscBDQ/U3uLvTvOixI/AAAAAAAAEew/i-2eyT-71Us/s320/Pandemonia-and-Snowy-party-.jpg" /></a><br><br>
Towards the end of the night Snowy led the party pack for one last photo opportunity, then Pandemonia scooped up S, waved a fond farewell and thanking their hosts and guests for a wicked weekend in Berlin, they raced back to the hotel to pack in preparation for their am flight back to London. <br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-50351317747576859102014-05-02T21:00:00.000-07:002014-10-29T04:27:50.998-07:00Claudia Chaseling - Gallery KornfeldFriday; <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy woke at the crack of dawn to finish packing their essential wardrobe before their flight to <a href="http://www.gallery-weekend-berlin.de/index.php?id=3" target="_blank">Berlin for Art Gallery Weekend</a>.<br><br>
Arriving in Berlin, the inclement weather didn't damp Pandemonia and Snowy's high spirits.<br>
They dumped their belongings at the hotel suite and did a quick tour of some of the fifty galleries showing this weekend (incognito of course) and returned to the hotel to unpack and take a leisurely rest.<br><br>
Later feeling refreshed, Pandemonia and Snowy went through their various outfits and selected a Chinese Persimmon orange ensemble, a pair of <a href="http://www.melissa.com.br/en/collection/estrelicia" target="_blank">Melissa Estrelicia</a> white coloured shoes and matchin gloves, and a pair of
<a href="http://store.diesel.com/gb/women/onlinestore/eyewear" target="_blank">Diesel</a> ochre framed sunglasses, after a satisfactory mirror check, they were ready to face the world. <br><br>
The rain had stopped when Pandemonia and Snowy bundled into the taxi, heading for artist
<a href="http://www.claudiachaseling.com" target="_blank">Claudia Chaseling</a>'s private view at the <a href="http://www.galeriekornfeld.com/" target="_blank">Gallery Kornfeld</a> - grand opening of their new Projectspace at Fasanenstraße 68.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-9PKFxD3jZKw/U2j6VvcVXJI/AAAAAAAAEaA/EV1stM5SVxA/s1600/Freddy-Kornfeld,-Pandemonia--Snowy-Mamuka-Bliadze.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-9PKFxD3jZKw/U2j6VvcVXJI/AAAAAAAAEaA/EV1stM5SVxA/s320/Freddy-Kornfeld,-Pandemonia--Snowy-Mamuka-Bliadze.jpg" /></a></div><br><br>
Once inside the space, Pandemonia & Snowy got to meet Berlin's paparazzi first hand, followed by the Galerie Kornfeld co-owners Freddy Kornfeld and Mamuka Bliadze who stepped up to greet P&S.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-ELU4MjD5Ddc/U2j6lXyNvUI/AAAAAAAAEaI/EMOnXUFEi3E/s1600/Peter-Boragno-Freddy-Kornfeld-Pandemonia-Mamuka-Bliadze-Savros-Efremidis.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-ELU4MjD5Ddc/U2j6lXyNvUI/AAAAAAAAEaI/EMOnXUFEi3E/s320/Peter-Boragno-Freddy-Kornfeld-Pandemonia-Mamuka-Bliadze-Savros-Efremidis.jpg" /></a></div><br><br>
Freddy and Mamuka were genial hosts and introduced Pandemonia and Snowy to one of their long standing friends -Peter Boragno and a newbie pal Savros Efremidis. <br><br>
Peter confessed to Pandemonia "my profession is to organise cultural bashes, he went on to explain "I was called in to put this event together" whilst handing a glass of bubbly into Pandemonia.<br><br>
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That done, Mamuka introduced P&S to the artist of the night the talented Claudia Chaseling.<br><br>
Claudia said she spent the previous night putting the final touches of the painted piece of work behind them, (a wall and floor space that measured 5.1816 meters long x 2.7 metes wide) and then introduced P&S to her partner, fellow artist <a href="http://www.markovic.org/" target="_blank">Milovan Markovic</a>.
Snowy recognised Milovan, who's been described as the father of Transfiguration Painting and the Text Portrait by the art world. <br><br>
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The next person Snowy & Pandemonia encountered was <a href="http://www.moosandco.com" target="_blank">Sophie Moos</a>.
Before Sophie clung to P, Snowys eye's popped at the sight of Sophie's fabulous diamond band ring on her right hand, one that wove its merry way up her finger. <br><br>
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From one eye-catching object to another, actor <a href="http://www.stephanluca.com/" target="_blank">Stephan Luca</a>.
Stephan told Pandemonia "you're a spectacular vision of beauty and I'd love to drive you around the city tomorrow to show you the sights"
P&S couldn't refuse such a kind offer.
And agreed to meet the following day. <br><br>
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All dialogue ended with Stephan when Pandemona and Snowy were mobbed by 3 blonds, Julia Luca, Susanne Steinkraus, Christine Heinz.
These girls were here to party and they wanted P&S to join them.
"Later" was Pandemonia's reply, "I must see the show first".
That said, the trio ran off to the bar, leaving P&S to their own devices.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-TtbxiWgBjWY/U2j70rl1NII/AAAAAAAAEa4/RYa_vcgX9qU/s1600/Belinda-Wilson-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-TtbxiWgBjWY/U2j70rl1NII/AAAAAAAAEa4/RYa_vcgX9qU/s320/Belinda-Wilson-Pandemonia.jpg" /></a></div><br><br>
Pandemonia & Snowy didn't get to take one step forward before being stopped by London ex model Belinda Wilson.
Belinda was so taken by Pandemonia and Snowy and Claudia's artwork that she burst out saying "I've got go back to my hotel and get my camera"
Off she went, scurrying back to get her lens.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-ZWqNaqkUCq4/U2j8ATuPhhI/AAAAAAAAEbA/oEVYw5rSfCs/s1600/Pandemonia-taking-artwork.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-ZWqNaqkUCq4/U2j8ATuPhhI/AAAAAAAAEbA/oEVYw5rSfCs/s320/Pandemonia-taking-artwork.jpg" /></a></div><br><br>
Pandemonia & Snowy turned around and walked over to shifty another of Claundia's wall paintings, this one was as wide as a door and ran down the wall and half way across the floor.<br><br>
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It was Snowy who now interrupted Pandemonia's train of thought having sniffed out another canine in the vicinity. Pandemonia obliged Snowy by vacating the spot and turning his attention to dog in question and was pleasantly surprised to find the pedigree hound accompanied by Karsten Kiss, a Berlin photographer who tipped up with his soul-sister Antje Forgo from Licht & Linie.
A doggy moment and a pix followed..<br><br>
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Pandemonia and Snowy were drawn to the gallery's right hand gal Hannah Linder, and Camilla Douraghy, Ingrid Manthe & Mamuka Bliadze obliged the gang with a quick snap, before P&S resumed their gallery tour.<br><br>
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Pandemonia and Snowy had another quiet interlude where they were able to get up close and inspect the details of one of Claudia's paintings on canvas.<br><br>
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Pandemonia and Snowy then turned to scan the intricacies of a larger triptych canvas landscape painting only to be asked to pose by a pap photographer.<br><br>
This larger than life triptych canvas piece met with Snowy's approval. As they weaved their through the Projectspace labyrinth, passing the three separate lounge rooms with white cube tables and Philip Stark Clear Ghost chairs they eventually entered the designated dance area space.<br><br>
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There Pandemonia and Snowy caught up as promised with the blonds and their male party animal pals.<br>
The DJ was pumping out Snowy's favourites vibes including "Happy" by Pharrell Williams and David Guetta's modern anthem "Lose Control". <br><br>
Pandemonia hadn't realised the time, it had flown by so fast, it was almost Midnight and way passed Snowy's bedtime<br>
P clasped Snowy closer and they ran the gauntlet of the exuberant guests heading for the exit before Snowy lost control too. <br><br>
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Pandemonia hopped a taxi, safely back at the Hotel and in their suite P tucked Snowy into bed and crawled away to leaf through the guide book on Berlin and ear mark locations for tomorrows excursion with Stephan and the crew.<br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-58004838396356261212014-05-01T07:43:00.001-07:002014-05-01T07:46:00.383-07:00April adventuresA 7pm shout at <a href="http://www.hotelcaferoyal.com/" target="_blank"> Hotel Cafe Royal</a> for a guided tour by Dilou Haddou, The Hotel Cafe Royal, Club Operations Manager. <br><br>
Yes folks the 5 star luxury hotel is going have a private members bar, one for the more creative discerning customer, and who better to fill those shoes than <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> & Snowy a real pair of arts lovers.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-mykhiHdaQnE/U2JV2ijpF_I/AAAAAAAAEYc/FwcXimAZcuA/s1600/John-Calleija-Pandemonia-and-Linda-Hugo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-mykhiHdaQnE/U2JV2ijpF_I/AAAAAAAAEYc/FwcXimAZcuA/s320/John-Calleija-Pandemonia-and-Linda-Hugo.jpg" /></a></div><br><br>
During the tour, Pandemonia and Snowy only just managed to poke their heads around the door of the magnificent Grill rooms to be greeted by Linda Hugo & her boss John Calleija, of <a href="http://www.calleija.com.au/" target="_blank">Calleija pink Diamonds.
</a> <br><br>
John confessed "I'm paying a flying visit to London for a week and it's a real pleasure to meet you both"
Snowy left yearning for a pink diamond collar, as they hit the stairway to the first floor.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-oHje8wQwnyw/U2JWLJXFNtI/AAAAAAAAEYk/u6lH2wlulLs/s1600/Anthony-Lee-General-Manager-Cafe-Royal-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-oHje8wQwnyw/U2JWLJXFNtI/AAAAAAAAEYk/u6lH2wlulLs/s320/Anthony-Lee-General-Manager-Cafe-Royal-Pandemonia.jpg" /></a></div><br><br>
Pandemonia and Snowy were then shown story boards and then the spaces on the first floor that will be transformed into this new watering hole.
After all this thirsty work, they decamped to the Hotel's bar, where over a glass of bubbly and a still water for Snowy they met Anthony Lee.
Anthony is the Hotel's GM who asked "how do you like the hotel" Pandemonia and Snowy nodded and replied "very much"<br><br>
The follow night was taken up with a visiting Ryan Stanier, Director of <a href="http://www.theotherartfair.com/" target="_blank">Other Art Fair</a> at the launch, Ambika P3, 35 Marylebone Rd, underground space.<br><br>
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Here Pandemonia and Snowy paused on the industrial staircase and scanned the show, and marvelled at over 90 artists exhibiting their wares.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-SAW-QuGDERA/U2JWc2EJiNI/AAAAAAAAEY0/aJBzRuG_RcI/s1600/Toni-Gallagher-Pandemonia-Martin.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-SAW-QuGDERA/U2JWc2EJiNI/AAAAAAAAEY0/aJBzRuG_RcI/s320/Toni-Gallagher-Pandemonia-Martin.jpg" /></a></div><br><br>
Then Pandemonia and Snowy descended to the main floor and were besieged by fellow artist <a href="http://www.tonigallagher.com" target="_blank">Toni Gallagher</a> and Martin Vintner-Jackson. <br><br>
Toni said to P&S "you look amazing, can I have my pix with you"
They obliged, then Pandemoina retrieved Snowy from Martin to see the exhibition.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-tEw4NnDR2-Y/U2JXkS3SvgI/AAAAAAAAEZA/gnjeo-i2LCA/s1600/Pandemonia--Claire-Robinson.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-tEw4NnDR2-Y/U2JXkS3SvgI/AAAAAAAAEZA/gnjeo-i2LCA/s320/Pandemonia--Claire-Robinson.jpg" /></a></div><br><br>
As, Pandemonia and Snowy wandered into the show, they were held up again this time by exhibiting artist Claire Robinson. <a href="http://www.clairerobinson.co.uk" target="_blank">Claire Robinson</a>
Claire too, asked may I have my picture taken with P&S and they both consented and left wishing her well flogging her prints. <br><br>
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Pandemonia and Snowy eventually arrived at <a href="http://www.ninafowler.com" target="_blank">Nina Fowler</a> stand.
Nina took an immediate shine to Snowy and exploded with laughter.
While Pandemonia cast an eagle eye over Nina's dark signature technique of Hollywood greatest stars imagery, frowned upon by some and loved by others in the art world. <br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-dzj5LKRaZZc/U2JYJN3zH4I/AAAAAAAAEZQ/TTXD7-YHMDw/s1600/Geoffrey-Leong-Pandemonia-and-Gwen.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-dzj5LKRaZZc/U2JYJN3zH4I/AAAAAAAAEZQ/TTXD7-YHMDw/s320/Geoffrey-Leong-Pandemonia-and-Gwen.jpg" /></a></div><br><br>
Nina's exuberance brought executive Director Hi Sushi Events Geoffrey Leong's attention to the stand.
Here, Geoffrey hooked up with his long lost pals Pandemonia & Snowy.
And after a quick catch up about what P&S had been up to since the photographer Ellen Von Unwerth's <a href="http://pandemonia99.blogspot.co.uk/2012/12/ellen-von-unwerth-snow-queen-vodka.html" target="_blank">Ellen von Unwerth</a><br> calendar launch bash.
Geoffrey, then cajoled Pandemonia and Snowy into joining him and his team mate Gwen for some delicious sushi, at their make shift kitchen in the VIP area.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-VqR4oXT0ulo/U2JYSG-L6lI/AAAAAAAAEZY/e282gB6PVOk/s1600/Davids-Courts-and-Pandemonia-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-VqR4oXT0ulo/U2JYSG-L6lI/AAAAAAAAEZY/e282gB6PVOk/s320/Davids-Courts-and-Pandemonia-.jpg" /></a></div><br><br>
Pandemonia and Snowy had only just finished eating when Snowy turned & spotted designer <a href="http://www.courtsandhackett.com/" target="_blank">David Courts.</a><br>
For those Rock and Roll fans, David and Bill Hackett were the design duo who made the 1978 Keith Richard's iconic scull ring.
Now-a-days Snowy discovered that David's rock days have been replaced by a wife and a teenage son. <br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-4A2DoQR0BFs/U2JYccuhQ7I/AAAAAAAAEZg/MjYen6ROia0/s1600/Bob-Aldous-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-4A2DoQR0BFs/U2JYccuhQ7I/AAAAAAAAEZg/MjYen6ROia0/s320/Bob-Aldous-Pandemonia.jpg" /></a></div><br><br>
Snowy's conversation came to an end when artist <a href="http://www.bobaldous.com/" target="_blank">Bob Aldous</a> fans pleaded with Pandemonia and Snowy to pose for pic with Bob on his stand.
After being papped. <br><br>
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Pandemonia decided two late nights out in a row was a bit too much for Snowy, so P swooped up S and headed to the exit.
They choose to stop, this time out of a concern for passionate art fan, blindfolded and with headphones and holding onto a length string.
Snowy and Pandemonia felt it was their moral duty to wait and if necessary guide him passed the bollard.
However, the guy managed on his own initiative and continued safely on his journey.<br><br>
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-_OYsop_T41I/U2JY7mXiV7I/AAAAAAAAEZw/8O4JKZsuveQ/s1600/Steph-Harham-Pandemonia-Michelle-Deyna-Hayward.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-_OYsop_T41I/U2JY7mXiV7I/AAAAAAAAEZw/8O4JKZsuveQ/s320/Steph-Harham-Pandemonia-Michelle-Deyna-Hayward.jpg" /></a></div><br><br>
Pandemonia and Snowy took a deep breath and returned to task in hand - getting out only to be blocked by visiting Mixed Media Artist <a href="http://www.drawingaconclusion.com" target="_blank">Michelle Deyna-Hayward</a> and her blond hair chum Steph Harham.
Steph & Michelle said to Pandemonia and Snowy "you two are fabulous, we have to start coming to London more often, we don't see the likes of you two in Colham, Cambridgeshire"<br><br>
On that note, Pandemonia and Snowy thanked them, posed for their snap and eventually piled into a cab for home off for a spot of light bedtime reading.<br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-23630209942050934572014-03-15T05:20:00.000-07:002014-04-09T05:25:05.112-07:00La rubia de plástico<b>La Vanguardia<br><br></B>
Sábado, 15 marzo 2014<Br><br>
<p style=" margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block;"> <a title="View La rubia de plásticoa on Scribd" href="http://www.scribd.com/doc/217025169/La-rubia-de-plasticoa" style="text-decoration: underline;" >La rubia de plásticoa</a> by <a title="View Pandemonia's profile on Scribd" href="http://www.scribd.com/Pandemonia99" style="text-decoration: underline;" >Margurita Puig</a><br><br>
</p><iframe class="scribd_iframe_embed" src="//www.scribd.com/embeds/217025169/content?start_page=1&view_mode=scroll&access_key=key-1shd30ljrz4v1topqzfp&show_recommendations=true" data-auto-height="false" data-aspect-ratio="0.758620689655172" scrolling="no" id="doc_130" width="100%" height="600" frameborder="0"></iframe>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-77817891662603547662014-03-02T10:06:00.002-08:002014-03-02T10:47:16.468-08:00Pandemonia flys to Madrid for Alaska Y Coronas<a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy grabbed their suitcases & made haste to Heathrow Airport to catch their flight to Madrid,
Yes, Madrid, where the P&S were invited to appear as a star guests on the <a href="http://www.rtve.es/television/alaska-y-coronas/" target="_blank">Alaska Y Coronas</a> Television show show..<br><br>
The sun was shining brightly that day, so after unpacking at their hotel, Pandemonia plumbed for day time ensemble, a bronze and pink dress, with red accessories and Melissa shoes..<br><br>
Dressed, Pandemonia and Snowy proceed on a whistle-stop, sight seeing tour of the Spanish capital..<br><br>
Their first stop, was the Museum <a href="http://www.museothyssen.org/" target="_blank">Thyssen Bornemisza</a>.
Where, Pandemonia and Snowy's had a rendezvous with their new best friend, Gema, the museum's press officer.<br><br>
<a href="http://1.bp.blogspot.com/-xx_aOZGY8IU/UxJYlGEzs0I/AAAAAAAAESA/GYaxhA4yTaI/s1600/Pandemonia-and-teenagers-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-xx_aOZGY8IU/UxJYlGEzs0I/AAAAAAAAESA/GYaxhA4yTaI/s320/Pandemonia-and-teenagers-.jpg" /></a><br><br>
While waiting for Gema to appear, Pandemonia and Snowy were mobbed at the information desk by Spanish ladies.
These charming women wanted to pose and have their picture taken with P&S.
While they snapped each other, they all kept saying "muy hermosa" the English translation is (very beautiful).<br><br>
As soon as the mujeres stopped a bunch of Spanish teenagers jumped in on the act.
And they chorused "que guapa" the pretty one..<br><br>
<a href="http://4.bp.blogspot.com/-qYJEZ0uSoM4/UxJY1ogOGhI/AAAAAAAAESI/n-wQ7gY9e0w/s1600/Pandemonia-El-Greco-.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-qYJEZ0uSoM4/UxJY1ogOGhI/AAAAAAAAESI/n-wQ7gY9e0w/s320/Pandemonia-El-Greco-.jpg" /></a><br><br>
Gema arrived and whisked Pandemonia & Snowy away, to the upstairs gallery space to see the <a href="http://www.museothyssen.org/microsites/exposiciones/2014/el-greco/?&lang=en" target="_blank">El Greco masterpieces</a> masterpieces.
It's there that P&S were got so absorbed by El Greco, technical showpieces currently on loan, that P&S failed to notice time was slipping by..<br><br>
<a href="http://4.bp.blogspot.com/-NZmULXdlk9g/UxJbkKZb1MI/AAAAAAAAESU/9kElLdR8BOU/s1600/Velazquez.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-NZmULXdlk9g/UxJbkKZb1MI/AAAAAAAAESU/9kElLdR8BOU/s320/Velazquez.jpg" /></a><br><br>
So they snapped out of it, and headed off to the <a href="https://www.museodelprado.es/en/" target="_blank">Prado Museum</a>.
Firstly to take in the Velazquez monument.<br><br>
<a href="http://3.bp.blogspot.com/-s88LB7N5dnA/UxJbwyRfSII/AAAAAAAAESc/liiG-JlclTM/s1600/Pandemonia-Niel-Clarke-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-s88LB7N5dnA/UxJbwyRfSII/AAAAAAAAESc/liiG-JlclTM/s200/Pandemonia-Niel-Clarke-.jpg" /></a><br><br>
While marvelling at Velazquez landmark, Pandemonia and Snowy were set upon by fellow artist Neil Clarke.
Neil said to Pandemonia "I love your whole look, you are fabulous" and then gently clutched Snowy & threw himself at Pandemonia feet.<br><br>
<a href="http://1.bp.blogspot.com/-6C0oU3hOiF4/UxJkaTwLPOI/AAAAAAAAETc/hxel6SaJMwY/s1600/prado.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-6C0oU3hOiF4/UxJkaTwLPOI/AAAAAAAAETc/hxel6SaJMwY/s320/prado.jpg" /></a><br><br>
Pandemonia retrieved Snowy and made their way to the Pardo exhibition entrance, only to discover, P was having a blond moment, and had forgotten to take a the ticket at the entrance.<br><br>
<a href="http://2.bp.blogspot.com/-_Yabr0cOTgA/UxJkLa5qbBI/AAAAAAAAETU/ESPHq_lvTPc/s1600/Pandemonia-at-San-Jeronimo-El-Real-Church.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-_Yabr0cOTgA/UxJkLa5qbBI/AAAAAAAAETU/ESPHq_lvTPc/s320/Pandemonia-at-San-Jeronimo-El-Real-Church.jpg" /></a><br><br>
P&S eyes were then drawn by the magnificent <a href="http://www.sanjeronimoelreal.es/San_Jeronimo_el_Real/Bienvenida.html" target="_blank">San Jeronimo El Real</a> Church.
The church is nestled, a few meters away from the PM entrance & so they decided to view that edifice instead. <br><br>
<a href="http://1.bp.blogspot.com/-i0xEldONIYQ/UxJkyB2Q5KI/AAAAAAAAETk/CshrtmMzgKw/s1600/Pandemonia-Real-Madrid-fans.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-i0xEldONIYQ/UxJkyB2Q5KI/AAAAAAAAETk/CshrtmMzgKw/s320/Pandemonia-Real-Madrid-fans.jpg" /></a><br><br>
That done, Pandemonia and Snowy nipped across town, to visit <a href="http://www.realmadrid.com/" target="_blank">Real Madrid</a> football grounds.
Sadly for Snowy, his favourite soccer player Christiano Ronaldo was nowhere to be seen.
As if to compensate for CR absence, the Real Madrid fans flocked around to say hola.<br><br>
<a href="http://1.bp.blogspot.com/-yJ3aB3D2sQU/UxJix_3DFdI/AAAAAAAAETI/4OQuh_pSl_A/s1600/Plaza-de-Toros-de-las-Ventas.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-yJ3aB3D2sQU/UxJix_3DFdI/AAAAAAAAETI/4OQuh_pSl_A/s320/Plaza-de-Toros-de-las-Ventas.jpg" /></a><br><br>
Pandemonia and Snowy bundled back into the taxi, for their next port of call, <a href="http://www.las-ventas.com/ " target="_blank">Plaza de Toros de las Ventas</a>.
This is one of the most famous Bullrings in Spain, not that Pandemonia & Snowy wanted to see a bull fight.
They'd heard so much about the buildings grandeur, they just wanted to see the structure for themselves.
And they weren't disappointed.<br><br>
<a href="http://1.bp.blogspot.com/-iIBo1TiJZwU/UxJk8XPPgcI/AAAAAAAAETs/pB5n2yfrOvI/s1600/Pandemonia-Marta-Nebot-Oliete.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-iIBo1TiJZwU/UxJk8XPPgcI/AAAAAAAAETs/pB5n2yfrOvI/s320/Pandemonia-Marta-Nebot-Oliete.jpg" /></a><br><br>
Turning to leave, Pandemonia and Snowy bumped into another Madrid ally, Marta Nebot Oliete.
Marta is a key production gal at T2, who confessed "all the team are looking forward to meeting you both tonight"
Then she zoomed off back to the studio, in her car.<br><br>
<a href="http://1.bp.blogspot.com/--fd4fUHUqxc/UxJnAzeLVbI/AAAAAAAAEUA/T806HHcOQe4/s1600/Palacio-Real-de-Madrid.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/--fd4fUHUqxc/UxJnAzeLVbI/AAAAAAAAEUA/T806HHcOQe4/s400/Palacio-Real-de-Madrid.jpg" /></a><br><br>
No self respecting person could go to Madrid without visiting the <a href="http://www.esmadrid.com/en/royal-palace-madrid" target="_blank">Palacio Real de Madrid</a>.
So Pandemonia and Snowy did their duty, only to find the Royal family not at home.<br><br>
So, they headed back to the hotel for well deserved rest and to change into something more appropriate for tonights show. <br><br>
Pandemonia and Snowy settled on a lime green and teal dress & accessories with pair of Melissia shoes.
Satisfied with their reflection in the mirror, they jumped in a cab to the TV studios.<br><br>
<a href="http://3.bp.blogspot.com/-EiqZvfsmUXI/UxJnmpbuUZI/AAAAAAAAEUM/rDfpq3IEmhc/s1600/Alaska-and-Pandemonia-in-the-dressing-room-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-EiqZvfsmUXI/UxJnmpbuUZI/AAAAAAAAEUM/rDfpq3IEmhc/s320/Alaska-and-Pandemonia-in-the-dressing-room-.jpg" /></a><br><br>
In Pandemonia and Snowy's dressing room at the studios, <a href="http://en.wikipedia.org/wiki/Alaska_%28singer%29" target="_blank">Alaska</a> the TV presenter and Interviewer dropped by for pre show chat and to get her picture with P&S.<br><br>
<a href="http://2.bp.blogspot.com/-SfgU4FE3E3I/UxJnvq98sfI/AAAAAAAAEUU/LRxna-ZWC0A/s1600/Pepino-Crawford-Pandemonia-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-SfgU4FE3E3I/UxJnvq98sfI/AAAAAAAAEUU/LRxna-ZWC0A/s320/Pepino-Crawford-Pandemonia-.jpg" /></a><br><br>
A few minutes later, P& S get another visit.
Only this time, from Spain's top DJ's and all round party animals <a href="http://trendtwins.com/" target="_blank">Pepino Marino Y Crawford</a>.<br><br>
<a href="http://4.bp.blogspot.com/-9IXXyKulTJI/UxJpHpX-b1I/AAAAAAAAEUg/qBaruHkD_5U/s1600/Pandemonia-Ruth-Vercuil-Stonehouse.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-9IXXyKulTJI/UxJpHpX-b1I/AAAAAAAAEUg/qBaruHkD_5U/s320/Pandemonia-Ruth-Vercuil-Stonehouse.jpg" /></a><br><br>
And as soon as they left, the Spanish interpreter Ruth Vercuil Stonehouse arrived for de briefing.
Upon seeing Snowy, Ruth pledged undying love for him and asked could she have a picture.
Ruth's passion, struck a cord in Pandemonia's heart, knowing Snowy was in good hands.
Then the production team came to collect Ruth.<br><br>
Then it was Pandemonia & Snowy turn, to be led by the production team, to the studio set.<br><br>
<a href="http://3.bp.blogspot.com/-8Rn4vjXOci4/UxJpSG5WFfI/AAAAAAAAEUo/KA7UtszlUD8/s1600/Javier-Corpnas-Pandemonia-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-8Rn4vjXOci4/UxJpSG5WFfI/AAAAAAAAEUo/KA7UtszlUD8/s320/Javier-Corpnas-Pandemonia-.jpg" /></a><br><br>
Only on route P&S were stopped in their tracks by co-host <a href="https://www.facebook.com/pages/Javier-Coronas/108175832543466" target="_blank">Javier Cornonas</a>.
Javier blurted out "Thank you both for coming" <br><br>
At last P&S walk on set, and were greeted, to tumultuous applause by the live studio audience.
Over the 14 minutes interview with Alaska, Pandemonia talked about who and what P represents as an art form.
As the minutes closed the end of the interview, Pandemonia introduced Snowy to Alaska & the audience responded with spontaneous applause.<br><br>
<div style="width:100%;padding-top:64%;position:relative;border-bottom:1px solid #aaa;display:inline-block;background:#eee;background:rgba(255,255,255,0.9);" > <iframe frameborder="0" src="http://www.rtve.es/drmn/embed/video/2420481" name="Pandemonia, arte de látex y hueso" scrolling="no" style="width:100%;height:90%;position:absolute;left:0;top:0;overflow:hidden;" > </iframe> <div style="position:absolute;bottom:0;left:0;font-family:arial,helvetica,sans-serif;font-size:12px;line-height:1.833;display:inline-block;padding:5px 0 5px 10px;"> <span style="float:left;margin-right:10px;"><img style="height:20px;width:auto;background: transparent;padding:0;margin:0;" src="http://img.irtve.es/css/rtve.commons/rtve.header.footer/i/logoRTVEes.png"></span> <a style="color:#333;font-weight:bold;" title="Pandemonia, arte de látex y hueso"href="http://www.rtve.es/alacarta/videos/alaska-y-coronas/pandemonia-arte-latex-hueso/2420481/"><strong>Pandemonia, arte de látex y hueso</strong></a></div></div><br><br>
Interview over, Alaska presented Pandemonia with a painting by Argentinan artist <a href="http://es.wikipedia.org/wiki/Dar%C3%ADo_Adanti" target="_blank">Darío Adanti</a>.<br><br>
<a href="http://3.bp.blogspot.com/-Km7F68fd20c/UxNyugxguhI/AAAAAAAAEU4/uMc5rC463xQ/s1600/Dar%C3%ADo-Adanti.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-Km7F68fd20c/UxNyugxguhI/AAAAAAAAEU4/uMc5rC463xQ/s320/Dar%C3%ADo-Adanti.jpg" /></a><br><br>
It was now way past 11.30, and P thought it was time to put Snowy to bed, after a enthralling day & night out in Madrid. <br><br>
<br />
<small>photo/copy: Stephen Mahoney</small>
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-65400581007985104842014-01-28T04:52:00.003-08:002014-01-28T04:56:38.538-08:00Ponystep 6 launch<a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy donned their party gear and headed to the
<a href="http://ponystep.com/magazine/" target="_blank">Ponystep</a> 6 issue celebratory bash.<br />
<br />
The gig was held at the downstairs bar of <a href="http://www.mrbuckleys.com/" target="_blank">Mr. Buckley</a>, 277 Hackney Road.<br />
<br />
<a href="http://2.bp.blogspot.com/-mF0VEdyCtxI/UuefQ_s0c9I/AAAAAAAAEPc/GvaZ-r_Mjb4/s1600/Richard-Mortimer-Pandemonia.jpg" imageanchor="1"><img alt="Richard Mortimer and Pandemonia" border="0" src="http://2.bp.blogspot.com/-mF0VEdyCtxI/UuefQ_s0c9I/AAAAAAAAEPc/GvaZ-r_Mjb4/s320/Richard-Mortimer-Pandemonia.jpg" title="" /></a><br />
<br />
Pandemonia & Snowy eased their way down the stairs and were met by the exuberant Editor-in-Chief of Ponystep Richard Mortimer.<br />
Richard gave them a hearty welcome and then dashed off to the bar to fetch P a tipple.<br />
<br />
<a href="http://1.bp.blogspot.com/-90rWxZE_8iA/UuefZ1anwzI/AAAAAAAAEPk/2stYwawPUrI/s1600/Pandemonia-Eduardo-Jordao-de-Magalhaes+(2).jpg" imageanchor="1"><img alt="Pandemonia and Eudardo de Mengalhaes" border="0" src="http://1.bp.blogspot.com/-90rWxZE_8iA/UuefZ1anwzI/AAAAAAAAEPk/2stYwawPUrI/s320/Pandemonia-Eduardo-Jordao-de-Magalhaes+(2).jpg" title="" /></a><br />
<br />
In the interim, Snowy & Pandemonia surveyed the premises, and were set upon by their Brazilian ally Eduardo Jordao de Magalhaes, Head of International Marketing and Communication for <a href="http://www.melissa.com.br/en/" target="_blank" target="_blank">Melissa shoes</a>.
Eduardo asked them how was <a href="http://pandemonia99.blogspot.co.uk/2014/01/sao-paulo-fashion-week.html" target="_blank">Sao Paulo fashion week</a> for them.
"We loved it" P replied.<br />
<br />
<a href="http://2.bp.blogspot.com/-PJA5Vcs7_Kg/Uuefg9YR7nI/AAAAAAAAEPs/efnqf-s4WA8/s1600/Pandemonia-Felicity-Hayward-Snowy.jpg" imageanchor="1"><img alt="Pandemonia and Felicity Hayward" border="0" src="http://2.bp.blogspot.com/-PJA5Vcs7_Kg/Uuefg9YR7nI/AAAAAAAAEPs/efnqf-s4WA8/s320/Pandemonia-Felicity-Hayward-Snowy.jpg" title="" /></a><br />
<br />
The next encounter for Pandemonia and Snowy came in the form of plus size curvy model
<a href="http://www.felicityhayward.com/" target="_blank">Felicity Hayward</a>.
Felicity took an immediate shine to Snowy.
Not that S minded Felicity’s gentle touch.<br />
<br />
<a href="http://2.bp.blogspot.com/-T93LvIABFak/UuefrXCWw4I/AAAAAAAAEP0/Cw_FRFQ-20I/s1600/Oliva-Hicks-Pandemonia-blond-fan.jpg" imageanchor="1"><img alt="Olivia Hicks and Pandemonia" border="0" src="http://2.bp.blogspot.com/-T93LvIABFak/UuefrXCWw4I/AAAAAAAAEP0/Cw_FRFQ-20I/s320/Oliva-Hicks-Pandemonia-blond-fan.jpg" title="" /></a><br />
<br />
Pandemonia detected Snowy’s testosterone making him hot under the collar, so P retrieved Snowy from Ms Hayward clutches and headed towards the exit door to cool S down only to be ambushed by two other comely gals, Olivia Hicks and her pal.<br />
Olivia duly gave P her email address and whispered "I work on the door of <a href="http://www.ovalspace.co.uk/" target="_blank">Ovalspace</a> the Arts/Music club and you both will be on the guest list forever".<br />
<br />
<a href="http://2.bp.blogspot.com/-rpgoMlIrrkQ/Uuef9FgyzFI/AAAAAAAAEP8/6i97ou_Vwhg/s1600/Pandemonia-Margi-Clarke.jpg" imageanchor="1"><img alt="Margi Clarke and Pandemonia" border="0" src="http://2.bp.blogspot.com/-rpgoMlIrrkQ/Uuef9FgyzFI/AAAAAAAAEP8/6i97ou_Vwhg/s320/Pandemonia-Margi-Clarke.jpg" title="" /></a><br />
<br />
Pandemonia, Snowy were flattered and returned to their table, where they rubbed shoulders with actress/TV presenter <a href="http://www.hellomagazine.com/profiles/margi-clarke/" target="_blank">Margi Clarke</a>.
Margi confessed to Pandemonia & Snowy, "the magazine has done me proud love"<br />
<br />
As Snowy cuddled up to Margi, in breezed fashion designer <a href="http://pamhogg.com/" target="_blank">Pam Hogg</a>.
Pam couldn't resist telling all and sundry "I made a decision to do a fashion show and I've got 4 weeks to pull everything together”.<br />
<br />
Pandemonia exhausted by the thought of the mountain of work that awaited Pam, gathered up Snowy, waved goodbye to Daniel Lismore and David Motte grabbed a copy of the magazine and jumped a taxi.<br />
<br />
<a href="http://2.bp.blogspot.com/-UkcJGekJY98/Uuegdz88mDI/AAAAAAAAEQE/spOn_f8x6cM/s1600/Ponystep-560x739.jpg" imageanchor="1"><img alt="Ponystep Magazine" border="0" src="http://2.bp.blogspot.com/-UkcJGekJY98/Uuegdz88mDI/AAAAAAAAEQE/spOn_f8x6cM/s320/Ponystep-560x739.jpg" title="" /></a><br />
<br />
In the cab Pandemonia leafed through the magazine pages that had articles mostly on blonds; with blond Holly Woodlawn the Andy Warhol superstar, actresses Gillian Anderson in blond wig, bottle blond beauties Margi Clarke and Amanda Lepore, and a black & white picture story of currently blond Kate Moss, Kate didn't need her St Tropez spray tan.
All these images caused Pandemonia to recall her own exciting <a href="http://pandemonia99.blogspot.co.uk/2011/04/ponystep-magazine.html" target="_blank">blond moments</a> in life just as the cab pulled up to home.<br />
<br />
<small>photo/copy: Stephen Mahoney</small>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-5889420076892427332014-01-06T03:46:00.000-08:002014-01-21T09:00:39.476-08:00Sao Paulo Fashion week<a href="http://pandemonia99.blogspot.co.uk/2013/11/an-afternoon-in-sao-paulo.html" target="_blank">
The following day</a> Pandemonia and Snowy had arranged to meet<br />
photographer <a href="http://www.marinamelchers.com/" target="_blank">Marina Melchers</a> at the hotel.<br />
<br />
Snowy and <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a>, immediately gravitated to Marina with her<br />
orange/yellow punk hair and big smile.<br />
<br />
Marina relayed toPandemonia & Snowy she had been assigned to<br />
accompany them today, and do a fly on the wall picture diary of P&S on<br />
location in Sao Paulo and at Melissa's first ever runway show.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-0ZO8FJRVnI8/Usm-9A-3ppI/AAAAAAAAEKk/Ui4Uv1SGt8s/s1600/Intercontinental--hotel-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Intercontinental hotel Sao Paulo" border="0" src="http://4.bp.blogspot.com/-0ZO8FJRVnI8/Usm-9A-3ppI/AAAAAAAAEKk/Ui4Uv1SGt8s/s320/Intercontinental--hotel-Pandemonia.jpg" title="" /></a></div>
<br />
<br />
Pandemonia and Snowy liked the idea of Marina on their tail.<br />
So they gave Marina her first shot, that of Pandemonia and Snowy<br />
returning to the <a href="http://www.intercontinental.com/" target="_blank">Intercontinental hotel</a> after their morning constitutional.<br />
<br />
Next they all took their seats in the car, and it’s here Pandemonia and Snowy informed Marina of their itinerary this pleased Marina no end.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-xQvYPRdbnyA/Usm_HTTidQI/AAAAAAAAEKs/kAVEN7aYjM4/s1600/Museu-de-Arte-de-Sao-Paulo-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-xQvYPRdbnyA/Usm_HTTidQI/AAAAAAAAEKs/kAVEN7aYjM4/s320/Museu-de-Arte-de-Sao-Paulo-Pandemonia.jpg" /></a></div>
<br />
<br />
As art lovers the first place P&S felt morally obliged to revisit was <a href="http://masp.art.br/masp2010" target="_blank">Museu de Arte de Sao Paulo </a> Assis Chateaubriand.<br />
<br />
That done Pandemonia and Snowy sped off to Rua 25 de Marco, the cities wholesale shopping street.<br />
<br />
Here P&S were curious to see all the miscellaneous products, toys; packaging; jewellery; clothes; bags etc sold there.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-q9LTeNL35QI/UsqV-zVXPQI/AAAAAAAAENc/NcVw2nq0EZQ/s1600/store-owners-and-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-q9LTeNL35QI/UsqV-zVXPQI/AAAAAAAAENc/NcVw2nq0EZQ/s320/store-owners-and-Pandemonia.jpg" /></a></div>
<br />
<br />
Pandemonia & Snowy took to the street and when asked paused to chat and pose for store owners & passers by.<br />
Most of whom snapped P&S with their mobile phones.<br />
<br />
Pandemonia noticed Snowy was in a hyper excited mood and when P turned spotted the reason.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-o3gA9vEyAJQ/Usm_YqtSc-I/AAAAAAAAEK0/sSwkBID9KpQ/s1600/Pandemonia--Mil-Presentes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-o3gA9vEyAJQ/Usm_YqtSc-I/AAAAAAAAEK0/sSwkBID9KpQ/s320/Pandemonia--Mil-Presentes.jpg" /></a></div>
<br />
<br />
A window display of plastic dolls in the <a href="http://www.milpresentes.com.br/" target="_blank">Mil Presentes 1000</a> shop.
Obviously P&S couldn't resist investigating this wondrous emporium of all things plastic.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-jsCqCi2vaBg/Usm_pbSt0FI/AAAAAAAAEK8/o9zON6XjK6o/s1600/local-guy-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-jsCqCi2vaBg/Usm_pbSt0FI/AAAAAAAAEK8/o9zON6XjK6o/s320/local-guy-Pandemonia.jpg" /></a></div>
<br />
<br />
Feeling all empowered and leaving Mil Presentes 1000, Pandemonia & Snowy took to their heels as did a local guy, who endeavored to keep in step with Pandemonia's long strides.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-8C-zxGdTCu4/UsnAGXls2tI/AAAAAAAAELE/qjZSYx2z-Ns/s1600/Pandemonia-Melissa-shoe-fan.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-8C-zxGdTCu4/UsnAGXls2tI/AAAAAAAAELE/qjZSYx2z-Ns/s320/Pandemonia-Melissa-shoe-fan.jpg" /></a></div>
<br />
<br />
Pandemonia & Snowy, came to a stand still alongside another Melissa shoe fan.<br />
<br />
This gal played public footsie with P much to the delight of the onlookers.<br />
Many of whom captured the scene on their mobile phones.<br />
<br />
Then as quick as a flash Pandemonia & Snowy quit the place and raced off to another of the capitals visual delights, the <a href="http://pt.wikipedia.org/wiki/Mercado_Municipal_de_S%C3%A3o_Paulo" target="_blank">Mercado Municipal</a><br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-SMQWuwuoD8M/UsnAOPkhiQI/AAAAAAAAELM/1f9ejN4TEqk/s1600/Pandemonia-Mercardo-Municipal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-SMQWuwuoD8M/UsnAOPkhiQI/AAAAAAAAELM/1f9ejN4TEqk/s320/Pandemonia-Mercardo-Municipal.jpg" /></a></div>
<br />
<br />
and at the Barraca Do Juca stall, the sales team swamped Pandemonia and Snowy with affection.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-vu5yxDNZ6BM/UsnAa7DM3LI/AAAAAAAAELU/dh70kvfEJPI/s1600/Pandemonia-Banco-du-Juca-in-Mercardo-Municipal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-vu5yxDNZ6BM/UsnAa7DM3LI/AAAAAAAAELU/dh70kvfEJPI/s320/Pandemonia-Banco-du-Juca-in-Mercardo-Municipal.jpg" /></a></div>
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Not wanting to be left out another bunch of burly looking stallholder lads surrounded them. This time from the Banco du Juca stand.<br />
Pandemonia and Snowy were overwhelmed by their gentleness and tactile manner.<br />
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<a href="http://3.bp.blogspot.com/-7iu2BA_oqzY/UsnEHr2-KTI/AAAAAAAAEM0/cMp072Dxu-U/s1600/Pandemonia-public-phone.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-7iu2BA_oqzY/UsnEHr2-KTI/AAAAAAAAEM0/cMp072Dxu-U/s320/Pandemonia-public-phone.jpg" /></a></div>
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Out on the street Pandemonia remembered to call the Melissa team to say they would be early and really looking forward to seeing their show.<br />
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<a href="http://3.bp.blogspot.com/-Y02PyeXksHM/UsnAvMoyjQI/AAAAAAAAELc/URYo0A-vdbc/s1600/Pandemonia-Museu-Anchieta-Spanish-invasion.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-Y02PyeXksHM/UsnAvMoyjQI/AAAAAAAAELc/URYo0A-vdbc/s320/Pandemonia-Museu-Anchieta-Spanish-invasion.jpg" /></a></div>
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Pandemonia and Snowy fancied a quiet moment, so trouped off to the,<a href="http://www.pateocollegio.com.br/newsite/" target="_blank">Museu Padre Anchieta</a> thinking there would be ideal place,<br />
only to be mobbed by a horde of Spanish cultural tourists.<br />
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<a href="http://4.bp.blogspot.com/-cO7finb-uvs/UsnA286yBSI/AAAAAAAAELk/R6mGQ1wSfu8/s1600/First-stone-Sao-Paulo-Pandemonia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-cO7finb-uvs/UsnA286yBSI/AAAAAAAAELk/R6mGQ1wSfu8/s320/First-stone-Sao-Paulo-Pandemonia.jpg" /></a></div>
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No visit to Sao Paulo would be complete for Pandemonia & Snowy without touching The First Stone of Sao Paulo.<br />
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<a href="http://1.bp.blogspot.com/-5IyxSW-CoDM/UsnBDsFE7TI/AAAAAAAAELs/4UhMiJtA05I/s1600/Pandemonia-Catedral-da-Se%CC%81-de-Sa%CC%83o-Paulo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-5IyxSW-CoDM/UsnBDsFE7TI/AAAAAAAAELs/4UhMiJtA05I/s320/Pandemonia-Catedral-da-Se%CC%81-de-Sa%CC%83o-Paulo.jpg" /></a></div>
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That done, Pandemonia & Snowy scaled the steps of <a href="http://www.catedraldase.org.br/site/?page_id=158" target="_blank">Catedral da Sé de São Paulo.</a>
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Exhausted, after gallivanting around the city Pandemonia and Snowy returned to hotel to freshen up, and prepare for the afternoon escapades.<br />
<br />
With sun beating down Pandemonia selected a white dress with red accessories, an appropriate outfit for the afternoon sojourn.<br />
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<a href="http://3.bp.blogspot.com/-6sNIg-xaH8M/UsnBSwH7nnI/AAAAAAAAEL0/EMJpk7yq18I/s1600/Pandemoniat-Estadio-Municipal-Paulo-Machado-de-Carvalho.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-6sNIg-xaH8M/UsnBSwH7nnI/AAAAAAAAEL0/EMJpk7yq18I/s320/Pandemoniat-Estadio-Municipal-Paulo-Machado-de-Carvalho.jpg" /></a></div>
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First up, they ventured forth to the <a href="http://www.prefeitura.sp.gov.br/cidade/secretarias/esportes/estadio_pacaembu/" target="_blank">Municipal Paulo Machado de Carvalho,</a>,<br />
<br />
where at the farmers market stall Pandemonia and Snowy purchased a yummy <a href="http://www.barracadoze.com.br/" target="_blank">pastel and sugar cane drink</a> with lemon.<br />
<br />
Now, fully fuelled Pandemonia & Snowy raced off to <a href="http://www.ffw.com.br/spfw/" target="_blank">Sao Paulo Fashion Week</a>, for <a href="http://www.melissa.com.br/en/" target="_blank">Melissa </a> first ever runway show.<br />
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<a href="http://1.bp.blogspot.com/-S3Zjnk6HgKk/UsnE8BMlRsI/AAAAAAAAEM8/HcvLlXgafRY/s1600/Pandemonia-FFW-online.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-S3Zjnk6HgKk/UsnE8BMlRsI/AAAAAAAAEM8/HcvLlXgafRY/s200/Pandemonia-FFW-online.jpg" /></a></div>
Pandemonia and Snowy arrived at the SPFW entrance and immediately were whisked backstage at Melissa's. There Pandemonia was interviewed pre Melissa fashion show by a stream of journalists one from FFW TV and another from FFW online.<br />
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<a href="http://4.bp.blogspot.com/-0H_ci8vHz4s/UsnFhsYhWPI/AAAAAAAAENM/DN2R7OtB5Zw/s1600/Pandemonia--backstage-pre-Melissa-fashion-show.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-0H_ci8vHz4s/UsnFhsYhWPI/AAAAAAAAENM/DN2R7OtB5Zw/s200/Pandemonia--backstage-pre-Melissa-fashion-show.jpg" /></a></div>
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Pandemonia & Snowy were literally lined up and photographed backstage by an army of press then ushered to the front row<br />
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<a href="http://1.bp.blogspot.com/-1ut0LHd-3Mw/UsnB0ZG7PVI/AAAAAAAAEME/S4Qh4gsJguI/s1600/Pandemonia_FRow_-Melissa-Fashion-show.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-1ut0LHd-3Mw/UsnB0ZG7PVI/AAAAAAAAEME/S4Qh4gsJguI/s320/Pandemonia_FRow_-Melissa-Fashion-show.jpg" /></a></div>
<br />
<br />
and seated where a cute youngster slid up alongside P&S and mimed she'd like her pix taken with them.<br />
P gave the girl Snowy and made her day.<br />
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<a href="http://1.bp.blogspot.com/-LFl9gzX_vUw/UsnCmd2H43I/AAAAAAAAEMM/b4LyAdB31C8/s1600/Melissa-fashion-show-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-LFl9gzX_vUw/UsnCmd2H43I/AAAAAAAAEMM/b4LyAdB31C8/s320/Melissa-fashion-show-.jpg" /></a></div>
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From one cute female to another more grown up one, who seized the moment and embraced Pandemonia & Snowy, and as if on queue the light went down and the <a href="http://www.orquestravoadora.com.br/2013/" target="_blank">Orquestra Voadora</a> of Rio de Janeiro struck up the ban and played various numbers throughout the Melissa multi cultural wardrobe show.<br />
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<a href="http://2.bp.blogspot.com/-rME2DQOdVek/UsnDALe-rvI/AAAAAAAAEMc/C-PXVl5vN6o/s1600/Pandemonia-Gaby-Amarantos.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-rME2DQOdVek/UsnDALe-rvI/AAAAAAAAEMc/C-PXVl5vN6o/s320/Pandemonia-Gaby-Amarantos.jpg" /></a></div>
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Post show, backstage, Pandemonia was arm in arm with Brazilian Singer <a href="http://gabyamarantos.com/" target="_blank">Gaby Amarantos.</a><br />
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Gaby is a real live wire and in the excitement of meeting P&S started swinging poor Snowy about in the air, luckily for Gab that Snowy is a fully house trained pouch.<br />
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<a href="http://4.bp.blogspot.com/-Z-qJygsQPQQ/UsnDMaWKo9I/AAAAAAAAEMk/MgZ9f1FEVNU/s1600/Pandemonia-Melissa-TV-crew-.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-Z-qJygsQPQQ/UsnDMaWKo9I/AAAAAAAAEMk/MgZ9f1FEVNU/s320/Pandemonia-Melissa-TV-crew-.jpg" /></a></div>
Pandemonia rescued Snowy just in time to thank the Melissa TV crew before jumping in the car back to their hotel to collect their thoughts.<br />
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<a href="http://1.bp.blogspot.com/-ZChVDVX5Dps/UsnDVTD_7MI/AAAAAAAAEMs/B0GTEfoQbqU/s1600/Liuciano-Machado-de-Jesus-Pandemonia-Marina-Melchers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://1.bp.blogspot.com/-ZChVDVX5Dps/UsnDVTD_7MI/AAAAAAAAEMs/B0GTEfoQbqU/s320/Liuciano-Machado-de-Jesus-Pandemonia-Marina-Melchers.jpg" /></a></div>
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Back at the hotel to Pandemonia and Snowy's two New Best Friends Luciano Machado de Jesus and Marina Melchers bade them a final fond farewell.<br />
<br />
P&S wished there was room in their suitcases for them, but both their NBF knew that wasn’t the case.<br />
<br />
So it was hugs all round and off to their suite, to prepare for their return journey. Time now to leave Sao Paulo's glorious sunshine and people behind.<br />
<br />
<small>photo/copy: Stephen Mahoney</small>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-49561330486752771472013-11-11T12:06:00.000-08:002014-01-07T04:02:10.282-08:00An afternoon in Sao Paulo<small>Earlier that day...<a href="http://pandemonia99.blogspot.co.uk/2013/11/shoe-shopping-in-sao-paulo.html" target="_blank">
Shoe Shopping in São Paulo</a><br></small><br><br>
En route to the hotel, after a very satisfactory retail therapy session at Melissa Gallery, <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> and Snowy felt a sugar craving.<br>
So they made a pitstop at Soroko, the Artisan vegan ice cream parlour, Rua Augusta 305, Consolacao.<br><br>
<a href="http://1.bp.blogspot.com/-2jbnlQC1rCo/UopuBBCvX2I/AAAAAAAAEIE/cGtm894ffeA/s1600/Pandemonia-at-Soroko-Graziela-Rafagla-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-2jbnlQC1rCo/UopuBBCvX2I/AAAAAAAAEIE/cGtm894ffeA/s320/Pandemonia-at-Soroko-Graziela-Rafagla-.jpg" /></a><br><br>
Graziela & Rafagla, the knowledgeable staff, recommended<br><br>
<a href="http://4.bp.blogspot.com/-6Qo2z5BphiY/UopuL7o5oCI/AAAAAAAAEIM/v1aH8s8ONWw/s1600/Pandemonia-Ice-cream-at-Soroko-.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-6Qo2z5BphiY/UopuL7o5oCI/AAAAAAAAEIM/v1aH8s8ONWw/s320/Pandemonia-Ice-cream-at-Soroko-.jpg" /></a><br><br>
Pandemonia sample the local delicious Pitanga, Cream do Ceu with a glazed cherry on top.<br><br>
<a href="http://2.bp.blogspot.com/-9cSD_ArcPp0/UopuWxIztmI/AAAAAAAAEIU/2kFqRzAEZTI/s1600/Pandemonia-kiosk.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-9cSD_ArcPp0/UopuWxIztmI/AAAAAAAAEIU/2kFqRzAEZTI/s320/Pandemonia-kiosk.jpg" /></a><br><br>
Rejuvenated and with vigour renewed, Pandemonia & Snowy skipped off to visit the Museu de Arte de Sao Paulo, seeing the queue to enter the Museu, Pandemonia & Snowy, decided to skip it too, and instead browsed the extensive Art magazine and book kiosk adjacent.<br><br>
<a href="http://1.bp.blogspot.com/-ELqux1SRh40/UopulGFLYQI/AAAAAAAAEIc/AHoAbu4yzHs/s1600/Pandemonia-Paulista-01.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-ELqux1SRh40/UopulGFLYQI/AAAAAAAAEIc/AHoAbu4yzHs/s320/Pandemonia-Paulista-01.jpg" /></a><br><br>
With a spring in their step Pandemonia & Snowy, decided to try their luck getting across Avenue Paulista and take a sneaky peak at the park.
P&S followed the Brazilian highway code, used the zebra crossing as it was rush hour & made it to the island in middle of the road.<br><br>
<a href="http://4.bp.blogspot.com/-WkdX8mN46vg/UopuuCbgaYI/AAAAAAAAEIk/AIqEzohk290/s1600/Pandemonia-MASP.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-WkdX8mN46vg/UopuuCbgaYI/AAAAAAAAEIk/AIqEzohk290/s320/Pandemonia-MASP.jpg" /></a><br><br>
Eventually having crossed road, Pandemonia & Snowy found a perfect vantage point to take in the full exterior vista of Museu de Arte de Sao Paulo.<br><br>
<a href="http://3.bp.blogspot.com/-6msC3P7MDW0/Uopu4FR-O2I/AAAAAAAAEIs/kGOLByK0ETA/s1600/Pandemonia-Brazilian-fans-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-6msC3P7MDW0/Uopu4FR-O2I/AAAAAAAAEIs/kGOLByK0ETA/s320/Pandemonia-Brazilian-fans-.jpg" /></a><br><br>
Pandemonia & Snowy strolled towards Trianon park gate only to be stopped in their tracks by a group of Brazilian fans.<br>
The fans insisted Pandemonia and Snowy see the nearby city landmark, a statue of Bartolomeu Bueno da Silva.<br><br>
<a href="http://2.bp.blogspot.com/-2zcqYo2ixLM/Uopv2LCCguI/AAAAAAAAEI4/K-sHybosQd0/s1600/Pandemonia-Bartolomeu-Bueno-da-Silva--.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-2zcqYo2ixLM/Uopv2LCCguI/AAAAAAAAEI4/K-sHybosQd0/s320/Pandemonia-Bartolomeu-Bueno-da-Silva--.jpg" /></a><br><br>
Snowy recognised this icon as the Anhanguera, the pioneer of colonial Brazil.<br><br>
After Snowy and Pandemonia had their peak at the Park, they were still in explorer mood and wondered where to go next?<br><br>
<a href="http://1.bp.blogspot.com/-0d5cGNVFo6s/UopwrbwM66I/AAAAAAAAEJc/UASwFmtaA9U/s1600/Pandemonia-Daniel-Melim.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-0d5cGNVFo6s/UopwrbwM66I/AAAAAAAAEJc/UASwFmtaA9U/s320/Pandemonia-Daniel-Melim.jpg" /></a><br><br>
They settled on visiting the Estacao da Luz railway station. Pandemonia & Snowy paused at the parking lot, they had the distinct feeling they were being watched.<br><br>
<a href="http://4.bp.blogspot.com/-MCPBoCK-Bu0/UopwC4DpnfI/AAAAAAAAEJA/fduxbsjKGwE/s1600/Pandemonia-Sao-Paulo-02.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-MCPBoCK-Bu0/UopwC4DpnfI/AAAAAAAAEJA/fduxbsjKGwE/s320/Pandemonia-Sao-Paulo-02.jpg" /></a><br><br>
As if to confirm their suspicion, a passer by stepped out and asked "can I have my picture taken with you"<br>
Pandemonia & Snowy agreed.<br><br>
<a href="http://1.bp.blogspot.com/-2zSQ5bo1bB0/UopwDH2yL1I/AAAAAAAAEJE/3RP6cUW3ncY/s1600/Pandemonia-Estaco-da-Luz.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-2zSQ5bo1bB0/UopwDH2yL1I/AAAAAAAAEJE/3RP6cUW3ncY/s320/Pandemonia-Estaco-da-Luz.jpg" /></a><br><br>
At the railway station Pandemonia and Snowy gave a wave to the otherwise languid railway commuters who woke up on seeing them,<br>
and waved back.<br><br>
<a href="http://4.bp.blogspot.com/-dWNM6FRzVuk/UopwDcpuCUI/AAAAAAAAEJI/uxEl9xQeio4/s1600/Pandemonia-street-urchins.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-dWNM6FRzVuk/UopwDcpuCUI/AAAAAAAAEJI/uxEl9xQeio4/s320/Pandemonia-street-urchins.jpg" /></a><br><br>
Turning away from the commuters, Pandemonia and Snowy were pleasantly surprised by three adorable, polite street urchins who just wanted to stand next to them.<br>
P&S gladly obliged them too.<br><br>
<a href="http://1.bp.blogspot.com/-rzxBLdQl8pI/UopwsKTRXpI/AAAAAAAAEJk/J0qdsTmHFG8/s1600/Pandemonia-Luz--railway-bridge.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-rzxBLdQl8pI/UopwsKTRXpI/AAAAAAAAEJk/J0qdsTmHFG8/s320/Pandemonia-Luz--railway-bridge.jpg" /></a><br><br>
When Pandemonia & Snowy crossed the railway bridge, they were astounded by the genial crowd who made way for P&S to cross.<br><br>
<a href="http://1.bp.blogspot.com/-TwZGwwt3Tyw/UopxabacOZI/AAAAAAAAEJw/ZbyEkBiKlvY/s1600/Pandemonia-Intercontinental-hotel-bell-boys.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-TwZGwwt3Tyw/UopxabacOZI/AAAAAAAAEJw/ZbyEkBiKlvY/s320/Pandemonia-Intercontinental-hotel-bell-boys.jpg" /></a><br><br>
Later, back at the hotel the bellboys were on hand to help with Pandemonia’s shopping.<br><br>
<a href="http://1.bp.blogspot.com/-btrvnPcj1eM/UopxaLYjHHI/AAAAAAAAEJs/nmA5bKJ_i_c/s1600/Pandemonia-Paulista-Intercontinental.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-btrvnPcj1eM/UopxaLYjHHI/AAAAAAAAEJs/nmA5bKJ_i_c/s320/Pandemonia-Paulista-Intercontinental.jpg" /></a><br><br>
Before retiring Snowy stood guard at the cocktail bar as Pandemonia downed a caipirinha, and gazed in astonishment at the bars spooky contribution to halloween.<br><br>
<a href="http://2.bp.blogspot.com/-V44Do2unfXA/Uopxab8YbFI/AAAAAAAAEJ0/byikKNDUFmc/s1600/Pandemonia-room-service.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-V44Do2unfXA/Uopxab8YbFI/AAAAAAAAEJ0/byikKNDUFmc/s320/Pandemonia-room-service.jpg" /></a><br><br>
At last, Pandemonia and Snowy returned to their suite where bellboy Vinicius Rodrigues unloaded the trolley.<br>
Alone at last, P&S put their feet up to rest in preparation for the action packed schedule that awaited them the following day.<br><br>
<br><br>
<small>photo/copy: Stephen Mahoney</small>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-35408507472650947952013-11-11T11:25:00.000-08:002014-01-07T04:03:47.261-08:00Pandemonia Royal College of Art Talk.<a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a> Artists talk.<br>
14th November 2013. 11 to 12am<br>
Lecture theater 1.<br><br>
<a href="http://2.bp.blogspot.com/-VgzKNaem8Gk/UoEubfZz8YI/AAAAAAAAEHk/W7fNYCL184Y/s1600/RCA-poster05.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-VgzKNaem8Gk/UoEubfZz8YI/AAAAAAAAEHk/W7fNYCL184Y/s400/RCA-poster05.jpg" /></a><br><br>
<a href="http://1.bp.blogspot.com/-XgDBSaqW52U/UoYcCoRPMpI/AAAAAAAAEH0/KoxVo8PfSLM/s1600/Art+Lecture.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-XgDBSaqW52U/UoYcCoRPMpI/AAAAAAAAEH0/KoxVo8PfSLM/s320/Art+Lecture.jpg" /></a> <br><small> Photo: <a href="http://amydavidson.wix.com/amydavidson#" target="_blank">Amy Davidson</a></small><br><br>
Pandemonia Artists Talk.
Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.comtag:blogger.com,1999:blog-5184849008029982123.post-44787259921722275862013-11-08T05:25:00.000-08:002014-01-07T04:04:12.749-08:00Shoe Shopping in São PauloSnowy woke up all excited at the prospect of soaking up the sun in Brazil with <a href="http://www.pandemonia99.com/" target="_blank">Pandemonia</a>.<br><br>
Pandemonia and Snowy flew to Sao Paulo, for Melissa's first ever fashion show during Sao Paulo Fashion Week.<br><br>
At Sao Paulo airport they were met by the soul of discretion and capital's most informed SP person, Liuciano Machado de Jesus.
Luciano drove Pandemonia and Snowy to Intercontinental Hotel.<br><br>
<a href="http://3.bp.blogspot.com/-JMFViOnYQUA/Unzlc-Vqi3I/AAAAAAAAECI/OfLnpO68oV4/s1600/galeria-melissa-sp.1.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-JMFViOnYQUA/Unzlc-Vqi3I/AAAAAAAAECI/OfLnpO68oV4/s320/galeria-melissa-sp.1.jpg" /></a><br><br>
The next day they were picked up at the hotel by Liuciano and whisked off to the Gallery Melissa store.<br><br>
<a href="http://2.bp.blogspot.com/-zDjmyEPBsTI/UnzVba7q32I/AAAAAAAAD_w/OvcUdyBON_w/s1600/Pandemonia-Abraao-Ferreira.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-zDjmyEPBsTI/UnzVba7q32I/AAAAAAAAD_w/OvcUdyBON_w/s320/Pandemonia-Abraao-Ferreira.jpg" /></a><br><br>
At the entrance Pandemonia and Snowy received a warm welcome by <a href="http://www.abraaoferreira.com" target="_blank">Abraao Ferreira</a>, a Brazilian Creative Consultant.<br>
Abraao said "I've never seen anything like you two, you’re beautiful" <br><br>
<a href="http://1.bp.blogspot.com/-ek7yz_OT4h4/UnzWUeuqx1I/AAAAAAAAD_8/3LitXRBVT-w/s1600/Pandemonia-Mauren-Motta-.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-ek7yz_OT4h4/UnzWUeuqx1I/AAAAAAAAD_8/3LitXRBVT-w/s320/Pandemonia-Mauren-Motta-.jpg" /></a><br><br>
Followed on by local gal <a href="http://www.maurenmotta.com.br" target="_blank">Mauren Motta</a> who pointed out to Pandemonia and Snowy they were in right place.<br>
Snowy was delighted to see Mauren was bang on trend with Pandemonia, decked out in matching colour co-ordinated get up.<br><br>
<a href="http://3.bp.blogspot.com/-Bt7nYcTxI9I/UnzbSNrDV2I/AAAAAAAAEB4/9CpI-I8TZYY/s1600/Melissa-store-Pandmonia.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-Bt7nYcTxI9I/UnzbSNrDV2I/AAAAAAAAEB4/9CpI-I8TZYY/s320/Melissa-store-Pandmonia.jpg" /></a><br><br>
Inside the <a href="http://www.melissashoe.com" target="_blank">Melissa</a> store the staff gathered around to give Pandmonia and Snowy a hearty Brazilian welcome too.<br><br>
Pandemonia and Snowy then got down to the business in hand, that of trying on shoes to match P's dresses.<br>
As fate would have it the staff fished out a perfect pair of Blue Estrelicia sandals to go with today’s day dress. <br><br>
<a href="http://1.bp.blogspot.com/-2zZU4tS5-W4/UnzWft6pR4I/AAAAAAAAEAE/CoOgWw8lqHQ/s1600/Pandemonia-Jacimar-Silva.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-2zZU4tS5-W4/UnzWft6pR4I/AAAAAAAAEAE/CoOgWw8lqHQ/s320/Pandemonia-Jacimar-Silva.jpg" /></a><br><br>
Keeping an eye on Pandemonia and Snowy was Jacimar Silva, Melissa’s company all round man Friday,.<br>
Jacimar encouraged Pandemonia to slip into a pair of Vivienne Westwood heart shoes.<br>
Pretty they were, sadly they weren’t the right size for P.<br><br>
<a href="http://2.bp.blogspot.com/-rBYMEn0kWEQ/UnzWwj22zGI/AAAAAAAAEAM/ZcMRgpUyLuc/s1600/Pandemonia-J.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-rBYMEn0kWEQ/UnzWwj22zGI/AAAAAAAAEAM/ZcMRgpUyLuc/s320/Pandemonia-J.jpg" /></a><br><br>
As P stood to admire Viv's creation, the fashion designer <a href="https://twitter.com/j_pig" target="_blank">J.Pig</a> and his assistant Grasielle Tomelin muscled in on the action.<br><br>
J. Pig whispered "I've just signed a deal to design for a big Brazilian brand and I'm taking Grasielle with me.<br><br>
<a href="http://3.bp.blogspot.com/-3cl4f50dO8A/UnzXLTTpnHI/AAAAAAAAEAU/ffRuvSMCXZU/s1600/-Luiza-Castro-Adenora-Targind-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-3cl4f50dO8A/UnzXLTTpnHI/AAAAAAAAEAU/ffRuvSMCXZU/s320/-Luiza-Castro-Adenora-Targind-Pandemonia.jpg" /></a><br><br>
Pandemonia saw that Grasielle had taken a shine to Snowy, so P cautiously retrieved S and took a pew with Luiza Castro & Adenora Targind.<br><br>
While trying on the ivory court shoes "Incense" by Karl Lagerfeld the girls chorused "we love you two"<br><br>
<a href="http://4.bp.blogspot.com/-VuXgLJOkVD8/UnzXekZ0glI/AAAAAAAAEAc/P-REsM--oDA/s1600/8-pix-Nilza-Scdaello--Amdieza-Scdaelllo-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-VuXgLJOkVD8/UnzXekZ0glI/AAAAAAAAEAc/P-REsM--oDA/s320/8-pix-Nilza-Scdaello--Amdieza-Scdaelllo-Pandemonia.jpg" /></a><br><br>
Pandemonia hid a blush, and stepped up to join Nilza Scdaello & her daughter Amdieza Scdaelllo at mirror.<br>
While gazing into the mirror to see how the green Melissa Floret sandals fare,<br>
Amdieza confessed "I've been buying Melissa shoes for 10 years, the shoes are democratic because the price point enables the rich & poor to be able to afford to buy them".<br>
As Amdieza was leaving she slipped her professional card, <a href="http://www.hadaranur.com.br/" target="_blank">Hadara Nur</a>, the country's leading Belly Dancer, into P's hand.<br>
So now, you’re all in on Amdieza aka Hadara Nur, little secret.<br><br>
<a href="http://1.bp.blogspot.com/-ncxLWjujb4c/UnzYnCSTQqI/AAAAAAAAEAo/bp08KCJSYqE/s1600/Adeline-Barnil--Helo-Marquilly-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-ncxLWjujb4c/UnzYnCSTQqI/AAAAAAAAEAo/bp08KCJSYqE/s320/Adeline-Barnil--Helo-Marquilly-Pandemonia.jpg" /></a><br><br>
From two wicked Brazilian customers to two French demoiselles from Lille, Adeline Barnil & Helo Marquilly. <br>
Adeline told Pandemonia "I live in Sao Paulo and Helo lives in Budapest . We came here today to shop, and what a fabulous surprise it was to see you both here"<br><br>
<a href="http://4.bp.blogspot.com/-8ONz6Rr5Bak/UnzY14HDfxI/AAAAAAAAEAw/WOWpd59u6YA/s1600/Pandemonia-Edward-Birghit-and-Amanda-Fox-.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-8ONz6Rr5Bak/UnzY14HDfxI/AAAAAAAAEAw/WOWpd59u6YA/s320/Pandemonia-Edward-Birghit-and-Amanda-Fox-.jpg" /></a><br><br>
Pandemonia thanked them and continued to slip on the pair of bronze Vivienne Westwood Slave sandals.<br>
Standing up to give them a test run, P encountered the Fox family Edward, Birghit and Amanda.<br>
Edward informed P, "we're on vacation from Gothenburg-Sweden and the girls came into the store to purchase shoes, and we were all blown away by you".<br><br>
<a href="http://3.bp.blogspot.com/-E3emwmnCDVI/UnzZG_uec5I/AAAAAAAAEA4/9bUtw20Hu38/s1600/Pandemonia-and-Drika-Satkunas-.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-E3emwmnCDVI/UnzZG_uec5I/AAAAAAAAEA4/9bUtw20Hu38/s320/Pandemonia-and-Drika-Satkunas-.jpg" /></a><br><br>
Pandemonia gave them a wry smile and returned to keep Snowy company.<br><br><br>
P&S then engaged in conversation with accessories designer <a href="http://drikasatkunas.weebly.com/" target="_blank">Drika Satkunas</a>.<br>
Drika let it slip "I'm a bag designer, and my latest concept bag resembles a fried egg". <br>
The sound of Drika's egg bag got Snowy's tummy rumbling.<br><br>
<a href="http://1.bp.blogspot.com/-ypXyJnZQTPg/UnzZTcAl7lI/AAAAAAAAEBA/M3FjlrnBoMU/s1600/12-pix-Nativo-Weslley-assistant-photographer--Vogue-Japan-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://1.bp.blogspot.com/-ypXyJnZQTPg/UnzZTcAl7lI/AAAAAAAAEBA/M3FjlrnBoMU/s320/12-pix-Nativo-Weslley-assistant-photographer--Vogue-Japan-Pandemonia.jpg" /></a><br><br>
Turning back to the job in hand that of trying on shoes. Pandemonia was intercepted from by Nativo Weslley assistant photographer for Vogue Japan.<br>
Nativo, soft genial manner in asking to have his picture taken with P, diverted P, and P stepped up to the mark, graciously.<br><br>
<a href="http://2.bp.blogspot.com/-86GDG74Hg2I/UnzZfgOsjJI/AAAAAAAAEBI/P6tR9wyxR6Q/s1600/Pandemonia-Rita-Kohl-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-86GDG74Hg2I/UnzZfgOsjJI/AAAAAAAAEBI/P6tR9wyxR6Q/s320/Pandemonia-Rita-Kohl-.jpg" /></a><br><br>
Shot done, seated, and with the first pair of blue heels on,<br>
Pandemonia and Snowy had a pleasant chat with native Brazilian Rita Kohl.<br>
Rita divulged "since I left The University of Tokyo where I studied Arts and Sciences, I've been earning money as a interpreter for visiting Japanese"<br>
P deduced Rita is canny ex student who spends wisely, hence shopping at Melissa.<br><br>
<a href="http://3.bp.blogspot.com/-nOWISYQ2OqA/UnzZozmLFRI/AAAAAAAAEBQ/GSGNO5GqgDI/s1600/Shizue-Hamano-Vogue-Japan-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-nOWISYQ2OqA/UnzZozmLFRI/AAAAAAAAEBQ/GSGNO5GqgDI/s320/Shizue-Hamano-Vogue-Japan-Pandemonia.jpg" /></a><br><br>
Pandemonia was up and running again this time with Shizue Hamano <a href="http://corp.condenast.jp/" target="_blank">Vogue Japan</a> Fashion Features Writer, they got into a deep conversation.<br>
Shizue is a real charmer, if there ever was one, and let it been known "I've been flown over by Chanel for the inauguration of Karl Largfeld's photographic exhibition, The Little Black Jacket, and today I'm doing a shopping guide, with my team"<br><br>
<a href="http://2.bp.blogspot.com/-0dFQLI-mz7c/UnzaPXTo1_I/AAAAAAAAEBY/F04n2levJwQ/s1600/Vogue-Japan-Brazilian-photographer-assistant-shooting,-the-JP-Vogue-photographer-shooting-Pandemonia-.jpg" imageanchor="1" ><img border="0" src="http://2.bp.blogspot.com/-0dFQLI-mz7c/UnzaPXTo1_I/AAAAAAAAEBY/F04n2levJwQ/s320/Vogue-Japan-Brazilian-photographer-assistant-shooting,-the-JP-Vogue-photographer-shooting-Pandemonia-.jpg" /></a><br><br>
Then as if to prove this Shizue swung her team into action with Nativo shooting, JP Vogue’s main photographer <a href="http://www.filippobamberghi.it/" target="_blank">Filippo Bamberghi</a>, as he clicked Pandemonia & Snowy.<br><br>
<a href="http://3.bp.blogspot.com/-K21JCIhKrXI/UnzaWas3ilI/AAAAAAAAEBg/DvNQF_OmKg8/s1600/Vogue-Japan-Filippo+Bamberghi-Pandemonia.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-K21JCIhKrXI/UnzaWas3ilI/AAAAAAAAEBg/DvNQF_OmKg8/s320/Vogue-Japan-Filippo+Bamberghi-Pandemonia.jpg" /></a><br><br>
Shoot done, Filippo asked Pandemonia if could be photographed with P & S, along with P's selection of new shoes.<br>
P agreed and before Snowy knew it Filippo plucked him off his perch and Nativo captured the moment.<br><br>
Pandemonia’s shopping spree over, P was thrown into a panic, with only two hands, several bags crammed with 16 pairs of shoes, P's handbag & Snowy.<br>
What to do?.<br><br>
<a href="http://3.bp.blogspot.com/-lFUeIQFmLpE/UnzamQobI8I/AAAAAAAAEBo/6znemNQydIA/s1600/Pandemonia-shoe-shopping-spree.jpg" imageanchor="1" ><img border="0" src="http://3.bp.blogspot.com/-lFUeIQFmLpE/UnzamQobI8I/AAAAAAAAEBo/6znemNQydIA/s320/Pandemonia-shoe-shopping-spree.jpg" /></a><br><br>
Seizing the moment, the Melissa crew were on it, and scooped up all the bags & sailed out through the doors with P&S, to their car.<br><br>
<a href="http://4.bp.blogspot.com/-wu_XfYnkh78/Unzaum3eAfI/AAAAAAAAEBw/PLiHW5u9-R0/s1600/Pandemonia-boot.jpg" imageanchor="1" ><img border="0" src="http://4.bp.blogspot.com/-wu_XfYnkh78/Unzaum3eAfI/AAAAAAAAEBw/PLiHW5u9-R0/s320/Pandemonia-boot.jpg" /></a><br><br>
While the girls neatly packed the boot to capacity, Pandemonia had a blond moment, and wondered, did I miss any must-haves.<br>
Then Pandemonia looked at the car boot and realised, that the girls couldn't even squeeze Snowy's collar in the boot never mind another pair of shoes.?<br><br>
Pandemonia and Snowy waved everyone goodbye, piled in the car & headed back off to the hotel for a pick-me-up cocktail.<br><br>
<a href="http://pandemonia99.blogspot.co.uk/2013/11/an-afternoon-in-sao-paulo.html" target="_blank">Later that day</a> <br><br>
<small>photo/copy: Stephen Mahoney</small>Anonymoushttp://www.blogger.com/profile/01400904941739696758noreply@blogger.com